One producer was recommending Sennheisers, but didn't say which model...
Anyway, just curious to see what you all use for headphones when producing/doing the mixing of a track.
Thanks,
Mike
Had same experience on Frankfurt Messe , couldn't hear evidence of what I heard/read about, those people have bigger mouths then their products, their arrogance was rather annoying.quandry wrote:I demo'ed all of the ultrasone stuff at AES earlier this month, and I really really wanted to like it, as I had read some good reviews, but I gotta say I wasn't digging the sound, except on the most pricey $1200 ones, but that's absurd.
exactly, well put. It was hilarious at the Ultrasone booth at AES in San Francisco--they had the sales guy, and two scandinavian women who could barely speak english, had no idea about the product (couldn't even work the cd player--seriously, and were scantily dressed...I'm not even going to speculate on that one....). To top it off, all of their reference discs were frikkin live dvds of concerts--not exactly pristine audiophile material for serious comparisons. I was shocked at how very different the different models sounded, sadly, to me ear at least, none as good as the sonys I brought to A/B with....again, a lot of whether or not you like a particular headphone is subjective as to how you hear (and want to hear) music, and what genre's you work in....rikhyray wrote:Had same experience on Frankfurt Messe , couldn't hear evidence of what I heard/read about, those people have bigger mouths then their products, their arrogance was rather annoying.quandry wrote:I demo'ed all of the ultrasone stuff at AES earlier this month, and I really really wanted to like it, as I had read some good reviews, but I gotta say I wasn't digging the sound, except on the most pricey $1200 ones, but that's absurd.
You will be fine with any actual industry standards Sennhs 650/600, AKG 701 or Sony 7509. Sony are most flexible since you can use them for tracking too, Sennheiser most comfortable and 701 probably have best definition and clarity. In the end any of the 3 will work, once you get use to and know their sound, each is the best in its own way.