Ableton Forum

I hope OOMS didn't finally get fed up with the lot of us.

good call

+1

I just finished a new rack for Live 6.0+

Let me know what you guys think. The link provided also has my other transition FX racks too. Check them out as well. :D

http://sapoav.com/files/live-files/index.php


MasterGater

Audio Gate rack for Ableton Live.

This rack is based on Live's ...

NOOOOOOOOOOOOOOOOOOOOOO

Short writeup I did on controlling dBlue Glitch via Live dummy clips. Originally posted on the ALDJ forum: http://www.abletonlivedj.com

Summary

This short writeup is going to address, in a step-by-step fashion, a method for setting up and using dBlue Glitch for use with Ableton Live. In this ...

I've got a few "transition" racks hosted at my site. They're mainly designed for DJing, but I imagine anybody could put them to good use.

The main theme is that each rack only has 1 macro knob, which goes from completely dry at 0 to a complete track kill at 127.

Have at them :D

http://www.sapoav ...

Excellent feature request. +1

+1 for the Ron Paul ticket. Good guy there.

Hillary scares me.

Remote SL Zero. Portability is a +

My EMU XL-7 Command Station is here to stay.

Wow - 7 pages of replies and not one mention of the Novation Remote series...

I have an Axiom for keys - so I went with the Remote SL Zero. By far the most bang-for-your-buck midi controller. Inexpensive, automap, TONS of controls, usb or battery powered, midi clock, super configurable - I could go ...

I'm not sure if I already +1'd this thread or not - but just to be sure...

+1

mechcon wrote:
my setup at home;

- Behringer UMX25
- Remote Zero SL
- Presonus Firebox
- Soundcraft 4 mixer
- 24" 2.16GHz iMac
- 24" dell 2407wfp monitor

I like your setup... Similar to mine at home: keep things simple...

I get the same thing when I first use a rack - would like to know what's going on...

I was at a Tool concert a long while back, and for intermission they had some guy come on w/ just a synthesizer.

He started his (relatively short) set with a sine wave with a gentle, slow LFO filter on it. From there he evolved the sound by mixing in osc after osc until he had this crazy, moving ...