Ableton Forum

yeah that's i do, but i've had phasing issues with it tho'

okay...i don't feel quite so dumb now...and yet i still do in a new way. LOL

thx for clearing that up - those screencaps looked so convincing i thought i'd missed the magic key combination that pops up the "group tracks" menu all this time!

F*CK ME! RTFM

try a hipass filter if your sound can stand it.

other than that, you'll can use a statistical filter. it's a common technique in telecommunications to BOOST the noise level of a signal and then extract the data by detecting non-random fluctuations in the stream.

don't know of any plugs that will ...

sorry if this has been posted before, i did a search, but it turned up 120 pages of seemingly unrelated topics...

it would be amazingly useful if i could group mixer tracks the same way you group devices. it would really eliminate some bottlenecks in my workflow if i could take the 20 tracks of ...

lol you're right.

also worthwhile to note you can export in your choice of sampling rates.

freezes are 96khz i believe....

here's a few tricks:

freeze a track and then create a 2nd audio track, set to monitor in, and receive audio from frozen track. you can now add extra real-time automation to your frozen track ...

there's also www.jackosx.com

well, as it turns out, i can do the eq tuning to a pretty good approximation using the macro map as a piecewise interpolation scheme!

by setting the min on the macro map to a particular note frequency, and it's max to 1 octave higher, you can shift them all with respect to each other!

it's not ...

just tried to drop a clip from the session view to the arrangement view, and i had a hell of a time trying to scroll down the tracks in the arrangement view.

please provide mouse-wheel support to scroll through the tracks while dragging & dropping please!

+1

jasper - you certainly seem to know what you're talking about, but i don't find your predictions to be true in practice.

the rack i built used 18 parametric EQs, each centered over Ex/Bx for each octave from octave0 through 20khz.

this doesn't sound like the same setup you are describing ...

well then, carry on! pardon my n00b

*fingers crossed for 7*

*bump*

Please!?

too bad more people apparently don't see the potential here...the propellerheads fell seriously short on their implementation of this idea, and i would really LOVE to ditch reason all-together.

this would make ableton live the most powerful production environment on the market.

oops nm - misread your question