Ableton Forum

If you click and drag up the divider that sits above the fader you will get numerical values. You can also group a multiband comp and duplicate it to get 3 of them - solo each multiband comp to a low/mid/hi frequency. Soloing each comp to see what each band is doing. Just make sure its not compress...

If you click and drag up the divider that sits above the fader you will get numerical values. You can also group a multiband comp and duplicate it to get 3 of them - solo each multiband comp to a low/mid/hi frequency. Soloing each comp to see what each band is doing. Just make sure its not compressi...

Tone Deft wrote:it's a trip to just see '64 bit' next to the word Live in the downloads.

guess some people are gonna finally finish those Epic tracks.

hmm good question!

dont think this is possible, negates the functionality..

ide systematically start fresh on a new palette of drumracks.. ie on the 4x4 below the ones being used... ctrl-drag etc to retain sample chain..

hmm unless your using shitloads of samples... that could get tedious

get a pc
hehe

i couldnt tell ya...the 2 macbook pros ive had all died within 3 years.. never again

from what ive read... non retina is a safer option- or the last gen ones..
man these things are $$$

solo the track you want to record
create new audio track
use the 'resample' input on a new audio track

-this will record whatever is playing (ie thru master) (in this case the solo'd track)

informative...
L9 release will eclipse all others!

agreed, just start again.. takes 2 mins to do.

-organise you samples
-simply drag 128 from the browser into sampler
-follow 128's creation method... lots of hows to's on utube

Thanks for the responses. I tend to agree. The lowest note of a melodyned audio sequence wouldn't have to be the scale note. If the processed sequence had b as its lowest note playing that 'melody' from c could create some serious atonality if it was stretched a pitch range on a sampler as part of a...

yeh i realise this...
you can get pretty close with anything though cant you?

hmm so transposing it to a new scale can be a good first step? - this would shift the harmonic content of the sample into one that matches the scale -

there is no completely foolproof method of working out 'the' pitch of any sound, as pitch is a subjective thing. musical pitches are often talked about in relation to actual wave frequencies, however there isn't a direct correspondence between the two. http://en.wikipedia.org/wiki/Pitch_%28music%29...

How do you guys take a random sound and tune it properly to the sampler? I may be wrong here however... -Take random sound ; in this case a grain stream of a field recording -Analyse this with melodyne editor -In melodyne change scale to c major -Highlight all information of sound and double click t...

Nokatus wrote:

ze2be wrote:What exactly makes it your favorite, if you mind telling us?

It has been used as a randomized impulse source in many generative Live constructs, at least. I'm not sure whether that's the direction he's hinting at, though.

How does one do this?! Ive been trying to figure it out

Native plugs in combination with M4L is a beast

heh.. mine used to do this... solved by addition of external audio interface...

unrelated but in addition to wierd interference loop...

the macbook pro AC adapter smoked and blew up
then the logic board died
finally my iPhone charger caught fire and failed.

haha

had to share