Ableton Forum

That may well be true. As I see, you've done your fair share of work on films? Not as a composer though..... but collaborating with composers is one of the many joys of the work (as is collaborating with directors, editors etc....) & none of that music would get written without the film existin...

Maybe the movie is what made it work? ie what the movie actually needs to support its drama, point of view, emotion etc.... Listening to film scores without the film tells you nothing about how (or why) the music was written or conceived..... As with most film composers, they tend to gravitate towar...

thats the idea but it should also be able to apply with mouse too so if you hold down [opt] and select display pan automation one one track, then ALL tracks switch to display panning... so often if I am tweaking eg volume automation one one track I will soon want to tweak the ame sautomation on othe...

a while back i trialled using Rewire into Protools HD (OSX not PC) and got it working but abandoned the idea as it meant losing msot of the advantages of working in LIVE (& not PT) ie cant use VST plugs and the quick responsive behaviour of LIVE as an instrument became forced to work in the line...

This is a bug bear in comparison to ProTools; in PT if I hold down (on mac) Opt & select to display Mixer:Volume the view switches to display ALL tracks in this mode... being able to switch ALL tracks to a particular automation view instantly, with a single key stroke is critical to a tweakers a...

first of a few posts but this is top of my list:

- 5.1 (or quad or 7.1) panners on each mono or stereo track...
- 5.1 (or quad or 7.1) mix bus
- 5.1 (or quad or 7.1) bounce destination

I've been become a student of this subject too... and read more than few books on the subject heres some fo the ideas i've collected up: http://substation.co.nz/blog/?p=290 dj superflat is right, its just hard work and requires a hard sustained push to get there.. this interview with painter max gim...

i fckng hate automap!
i've hated it since i first got an SL25
& finally, yesterday, i deleted the automap server
I feel so much better....

hah, i'm the admin
check yr mail, should be able to login now

hey forge
ask the same question in the Production Sound section here:
http://www.nzsound.net
and you'll get some opinions from actual film sound recordists....

tried the wayback machine?
http://www.archive.org/index.php

want to see the ableton website back when v1.0 was big news?

http://web.archive.org/web/200104042120 ... /index.htm

FWIW there are a number of mics that have a frequency response higher than 20k and there are definitely interesting uses from a sound design point of view - a couple of examples I can immediately think of doing in the last few years: - recording human vocals for creature vox via a realtime pitch shi...

hey spkey
methink you dont try very hard

i am about 10,00km away & i could name five

but really, dont ask me to name them, for their hard-to-find-ness
hopefully keeps people like you from buying the vinyl i crave...

god bless your ignorance!

i look forward to the day when oil is as precious as diamonds ie no one drives anywhere & if u want to get your 12" dubplate then you have to turn up with the master & a box full of old records, ready for recycling... when that happens i'll happily put my old 50 solid gold sh+ts LPs on ...

instead, try opening your mind to dub of all varieties & not just those that you & your five judges of the apocolypse decree as being irie..... i mean WTF? (a) whats the point of a competition? and (bmin7) who are you to be deciding where the snare should fall & then (only then) may it b...