Ableton Forum

I've read all of your articles (some more than once) and I find them really, really well-written and insightful (especially the one on mixdowns!).

I've never said thanks, so here:

BIG THANKS

simmerdown wrote:

Ub373NNN wrote:that blog was boring on me.

you probably just cant relate while looking for Live at walgreens

best inter-post joke on this forum

Guitar Center
Buffalo
1092 Niagara Falls Blvd.
Tonawanda, NY 14150
Phone: (716) 833-8200

update....again....i upgraded to maschine. the limitations of mikro were realized pretty quickly, the encoders are priceless and so are the group buttons etc. etc. the navigation of mikro was also an obstacle that being said, i think i will keep the mikro and sketch if i am on the go or something.....

The 1.4 software update was just released last week. Hope it solves all our problems.

Get it here:

http://www.novationmusic.com/support/downloads/

Has anybody tried this?

Are all of the knobs, faders and buttons of the APC 40 assignable in Logic?

Thanks so much!

What do you like most about it?

How are you integrating it with Ableton?

Really looking forward to your answers.

nick's tu-

oh, somebody mentioned it already.

Wondering about this too.

taffmonster wrote:Oh also do you mean an effect in maschine or an effecting ableton

An effect in maschine. Thanks!

Hey taff, I'm thinking of getting the Mikro and would really appreciate it if you could answer a couple of questions: 1) True or False: The bottom EIGHT pads (not just the bottom four) can be used to select the different parameters of a given effect. 2) If the above is true, what happens if the effe...

Got a couple of questions for Maschine Mikro owners: 1) True or False: The bottom EIGHT pads (not just four) can be used to select the different parameters of a given effect. 2) If the above is true, what happens if the effect has more than eight parameters? Can I still use the pads to select them o...

Whether you like Lil B or not, there's something to be said about focusing on songwriting over mixing/mastering. As electronic musicians, it's easy to forget that they're totally different skills since we do everything on the computer. The worst consequence of this is that we spend most of our time ...

All of this reminds me of what Mr Henke said a couple of years ago: "The most exciting new music comes from young kids guys running some audio software in a bedroom, listening to the result over a shitty hi-fi and use Melodyne all the way wrong. Those folks do not read gear magazines, they could not...

http://nickstutorials.com/

Enough said.