Ableton Forum

the_antagonist wrote:don't let the door hit your ass on the way out

+1

timothyallan wrote:I think it's great that natives have the opportunity to use both Ableton and Reason!

brrrrrrrrrrrrrrm ching!

...why can't they make all DAW software STOP at ZERO DB'S and make it easier for us??? actually they do the 0dB you see in a DAW is 0dB "full scale", which means... the decibel as a system of measurement is a ratio between two numbers, so there are several different types of decibel where...

http://www.equipmentemporium.com/images/ZFSOmed_lrg.jpg +1 any location stuff I've done has been with a Marrantz recorder and the Rode NTG-1 boom kit using the boom is heaps of fun with headphones on because you point it at things and hear them then move away and they disappear! loads of fun for st...

when selecting with the scene knob it can be hard to see

Heheh, I just used this, and actually kept the sound in the latest remix I've done. Check out one of the breakdown, in between the big hits you can hear me going chicka chick shhhh chicka :D http://www.timothyallan.com/audio/scared_of_being_alone_(timothy_allan_remix)_break_tease.mp3 nice one geezer!

will max for live allow us multiple waveform viewing? it'd be hot to emulate this setup without knowing what the Serato thing is about, I think you should be able to create something like this with Max - I think you would have to design a new interface in Max and map it to Live's parameters I would...

One of the things that bugs me about Live is its really primitive event automation. Step it up to the game that already out there fellas. Look at tools such as Logic or even FLStudio and the things you can do with event automation. Edit precise values for events, create beizer curves for transition...

The process has already been covered pretty well in these replies, so I wont repeat them, but I made a video series that goes over making a few different drum sounds (like 808 and 909 snare, kick etc) out of a beatbox sample - it goes over all of this kind of stuff http://www.groove3.com/str/designi...

...That would cause a big problem with your proposal, because I often have (estimate) 500 different clips produced on the fly out of one session clip. that to me is a major flaw in the current system I would like to see Live 9 totally overhaul automation, like Live 8 overhauled Warping etc ...I hav...

aizo wrote:how much would it be to ship from Japan? It seems no one gives a shit about it here. I was the first to snatch it up in Osaka. All the major electro stores here had extras for a few days.

that's because japan is in the future

It's been years since I've been drinking, although I still find mischievous ways to have fun, but when I was drinking the most, I swear I found an amazing hangover cure, IF you can manage to pull it all off when you're drunk, which means remembering sh*t, or preferably preparing beforehand. Here's ...

Well, if you are playing a set in session view, with a midi controller like the VCM600, and you want to record it for later rendering (like a 60 minute DJ/Live set for example) I would much rather be able to see which clip is playign in session view when there is something in arrange, so that if the...

Have I just forgotten you could do this or is it new? EDIT: it would be much more convenient if you could choose for the AIFFs to be locally saved automatically rather than pointing to the CD from clips EDIT EDIT: and also it would be good if you could name the clips even while they are still on the...

to add to the old ghost/alias clips wish

maybe if you change the BTA button to Navy BLUE then you could also use Navy blue to be the colour of the play button on a playing clip if it is shared between session and arrange

I so badly want to be able to have session and arrange point to the same clip