Ableton Forum

There is life above 20 KHz.
http://www.cco.caltech.edu/~boyk/spectra/spectra.htm

Filters are used to cut out anything above the "audible range" in order to set the frequency bandwidth, but those higher frequencies (like the harmonics shown in the oscilloscope) appear to be integral to the original sound. As air vibrations those higher frequencies are still air movement...

Thanks for this Stringtapper. It is indeed true in theory that in order to be able to reconstruct a signal the sampling frequency must be at least twice the frequency of the signal being sampled. As you point out though,this is a theoretical minimum and a number of engineering difficulties mean that...

Somebody correct me if I'm barking up the wrong tree here - apart from recording, isn't playback of more than 48khz 16 bit a total waste? Human hearing goes up to 20khz, most people can't hear anything after 17khz. 17khz x 2 = 34khz playback. So 48 just to be safe, though I don't think more than on...

Certain features in Bitwig are objectively better, still holds true. Another to add to that list is appearance. The UI is MUCH more pleasant to work with. How something appears to an individual is a subjective impression, not objective. Being more or less pleasant to work with is also a subjective ...

Upstairs? Not on the ground floor with the cafes and shops

The Finn wrote:This is the video that sold me on Push

He's doing it from scratch, so it takes a while (4 min or so) to get going.

http://www.youtube.com/watch?v=Cutgtf-B0pY

As a bonus - I don't think it's techno. Some earlier popular musical form, I think.

Thats a demo of Talent, not Push.

I found this article useful

http://www.soundonsound.com/sos/aug06/a ... h_0806.htm

Guitar pickups are designed to pickup, so they pickup all sorts of unwanted noises. buzz doesn't necessarily come from the pickup itself. This article helps you to track down the source of the buzz.

McQ714 wrote:That could quite possibly be the worst bit of "music" I've ever heard.. sounds a lot like the track I've been working on for the past month.

Frightful! Similar to my productions too.

I suggest that you refine your question (WTF?). Why do you say "its too much data at a time" or "when I send both mdi CC it's wrong...". What do you mean by wrong? As things stand no one can help you because you are not asking a coherent question.

The link gave me a 404 error, but I found my way to your site which has presets for Live 9 Operator and Live 8 Operator. I presume that the Live 9 ones don't work with Live 8. Can anyone tell me why not?

I have the Etymotic 4ps. They sound great but always seemed to lack bass until I bought a portable headphone amp.

It's not that difficult, in my opinion. Maybe I cannot express the concept in the right english terms, because when I use the word "code" I mean "universal essence" (not in a mystic perspective, but "ontologic", like e.g. mathematic, language etc.). Music can be though...

myrnova, just one point. This whole thread started when stringtapper, over in another thread, wanted to talk about a set of musical ideas that come from Germany and France. You derailed that thread, and when people disagreed with you, you said that stringtapper's ideas were American. Which they dem...

A stone sounds like a buzz.