Ableton Forum

You could always add a track which takes as input your kick, and outputs to the sidechain input of your compressor. Ugly, but it works (even in 8 )

It may be due to connecting an external peripheral to your UFX which then sets its own clock as master. And it depends: you should use the sampling rate that most of your files use. For instance if you recorder lots of materials @ 44.1 khZ it's better to revert at 44.1, however, if you just recorded...

A bit of calculus : USB2 bandwith (theoretical) is 480 Mbit/s 1 channel @ 96khz / 24bit means 96000 * 24 = 2.19 Mbits per second. 480 / 3 (yep, I round it to the superior value) means... 160 damn theoretical channels at 96khz with usb2. Even if we take the half, which is a pretty real value, we have...

Depends of the song... Generally with my band we first compose a song with gutar pro, then we try to play it, then we start meddling with live, but only in arrange view, session view isn't really adapted to our music... But tonight I just had to make a two-minutes "song" which was meant to...

IIRC Ableton use floating point so you shouldn't have to dither. For resampling, it all depends on the sampling rate of your project : every imported audio clip will be resampled to the sample rate of the project (ex. : 48 -> 44.1 if you work with movie samples) So some might say that you could use ...

If you use outboards effects or synths live will render in real time, so it will always be the same speed.
Else, it's a bug ^_^

Try running memtest86 (google it); it may take a while but you will know if you have to change ram

It depends, if for instance it uses a FFT it doesn't really matter since you won't work in the time domain but the frequency domain.
And well.. Just try ^^ pitch down heavily a file @ 44 khz and the same file @ 96khz

You all seem to forget, people, that one of the main benefitis of high samplerates, is that it prevents aliasing due to poorly designed virtual instruments. (aliasing is when frequency is generated over the nyquist frequency and the sampling makes a "come-back" of these frequencies in reve...

Let's hope so, some plugins just haven't got a vst2 mode anymore due to technical restrictions...

http://www.youtube.com/watch?v=uiKbO4zEI6E
Kick ass

Why not trying to add some wood to the sound ?

Seriously, why not just redoing your recording ? It was maybe just the singer that was one inch leftier or something like that...

ian_halsall wrote:I like sub-zero frequencies - negative bass.

Imagine

My band goes so deep that we tune ourselves in terms of periods rather than frequencies

and for the real debate, man, what the hell with cutting under 60hz ? what I fucking like with music it's when the subbass make my doors fly off their handles

mixing tip n°1337 : ¯\(°_o)/¯ How do mix drums????