Ableton Forum

No, as that is not what a synth is for or envelope generators (ADSR) for that matter.

To stretch an audio clip, you need to use Live's Warping features.

brian sansone wrote:stereo width is what i'm looking for, plus that unique m/s sound.

Bear in mind that you will lose it all if the track is ever played mono, not necessarily the best tool for wide stereo width.

All your tracks shouldn't be peaking at the same level.

Riiiiiiight. You seem to have missed the point of your argument. That yours is built on simplistic ideas that don't take into account a major variety of issues and how they all impact on each other and only focus on a handful of those to state a very basic case that is heavily flawed as a result? B...

@sage, clearly models of healthy human beings. :roll: That is the whole point, there is no real idea about how best to raise children, a lot of it is just prejudice and propaganda. Traditionally children from rich backgrounds were sent away to be educated and those from poor families went to work, ...

In addition, as women began working en masse, the responsibility of educating their offspring became increasingly delegated to third parties, be it to public or private schools, or private tutors. The family unit was thus weakened, which destabilised and corrupted society and helped the banksters p...

It will just change the definition of "loudness". Basically music is about to enter into the same problem modern films suffer from, too much dynamic range, so the loud bits are too loud and quiet sections are basically inaudible. Actually the way loudness is calculated according to ITU 17...

It will just change the definition of "loudness". Once for an album which was a collection of different artists, I sent a mastered version where only the bits that were meant to be loud were brick walled, leaving the rest of the tune with a fair bit of dynamic range, leaving the guys putti...

continuous wrote:@ sage

Do you use the Dark Energy live?

Yeah.

Can't see any real reason to migrate and everything it seems to do right now, I'd get just by upgrading to Live 9. But if I was a newcomer, Bitwig does come across as a bit more bang for the buck. Bitwig looks a bit too cluttered, but the idea of modular instruments and effects is very interesting t...

https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-prn2/v/t1/1514596_10202721745701252_780482256_n.jpg?oh=b4ab7603ed1c4cf40bdc5313f14038cc&oe=53789A4E&__gda__=1401158785_9cf256127b5d2f57c49ba77763679b1a New live setup, without the laptop and whatever MIDI controller I feel like using. Will p...

I totally get what you're saying. I mean, I would like some hardware for my studio because I think it is much easier to compose music with hardware more-so than using software. I particularly like the Minimoog sound for bassline and synth work and would take advantage of using Ableton for MIDI use ...

Non-Retina and upgrade the RAM and hard drive afterwards. The difference in cost means you could easily do that and possibly still have change afterwards. Nothing over all wrong with the Retinas though and doubt anyone would regret buying one, but I'm not sure they are a good sign of where Apple is ...

It is incredible that people will complain about a synth or DAW not having good presets.

Hey guys, so after a few years of use, I'd like to say I'm familiar with compressors and the whole idea of dynamics in a song, but one thing that's always confused me is, why compress drums? I understand the use of compressing an entire drum bus to keep all the different elements together dynamical...