Ableton Forum

markaugust: so...uhhmmmm....ya, you must be asked this all the time....but how did you end up getting signed? can you tell us if you had a routine of sending demos ? was this your first ? maybe you made unsolicited calls to labels ? ...you know....I think most of us would like to know... cheers &...

heh! relax dpmtl, I was talking to DKushner....infact, I thought your question was reasonable and written in plain english.....i was only refering to DKusher and his immense head-brace

hehe, lay off the hormones kitty.

uber leet tek head geek ?....no, I'm just literate.

but why would he ask that, if you told him he needed max .... he already asked the question nicely and you told him he needed an expensive modular programming environment ......hehe, you friggin puss.

oh sorry...
can you give me a detailed account of why you are so dense

dpmtl wrote:Well done

I was thinking of starting a thread asking if any one on the forum was making it in the industry and how they made it. Woud you be willing to share your experience on this?

how are you so dense ? blow me.

let us know how you get on, but remember that if the back-bottom-hole is open before you turn the mic on you may blow your speakers tweeters, best to open the back-bottom-hole after you tweak your sac and place the speakers at front-head-hole level

'i just got signed' is hardly sharing the experience. He probably wants to know if he sent a demo, many demos, phone calls, cold calling, etc etc ETC

telekinesis

simple as that. you want to use two keyboards, just drop a tonne of dough on a low-level modular programing environment, and away you go...

well, so long as the back-bottom-hole is nowhere near the mic, you should place the d1200 around 8 inches from the front-head-hole of the singer. Its best if the singer hasnt been drinking, or freebasing ..... and if their wisdom teeth haven't been taken out it can cause fluctuations. to combat this...

are you using the front-head-hole of the singer ? otherwise the korg adds artifacts