These two pics alone = FTW.Machinesworking wrote:
Anyways, the A7's finally arrived! They sound so tight! Here's how the full setup looks right now. Messy, I know. Need to tidy up.

Tidying up can wait. Time to make some musics!
These two pics alone = FTW.Machinesworking wrote:
Metasonix S-1000 Wretch Machine! Vermona Re-Tube-Verb reverb! Warm, glowing tube goodness!Machinesworking wrote:
To make something in the same (or almost the same) quality like GIK Acoustiks products then +1Tarekith wrote:Just a heads up that GIK Acoustiks has broadband absorbers (the 244's) for only a little more than it would cost to build them yourself. I was all prepped to make my own, but once I saw how little the price difference was, I decided to just let them build them for me. Much easier
wow really? I saved over £200 building my ownTarekith wrote:Just a heads up that GIK Acoustiks has broadband absorbers (the 244's) for only a little more than it would cost to build them yourself. I was all prepped to make my own, but once I saw how little the price difference was, I decided to just let them build them for me. Much easier
As I wrote my post I had a feeling that you were going to say that!Machinesworking wrote: The Wretch seriously doesn't need any help being ugly!
I couldn't agree with you more. Distortion is magical.Machinesworking wrote: Distortion is underrated in electronic music
I'm a big advocate of letting the machines &/or the process assume some of the control. Much of the music I make utilizes improvisation, synchronicity, & randomness. Sometimes the best thing is to lose control.Machinesworking wrote:too many 'purists' who think control is everything etc.
yo dawg. I herd u like electribes, so...omg wrote:Hello!
Me likey likey:
Wrong thread I know but my two favorites!aqua_tek wrote: yo dawg. I herd u like electribes, so...
oblique strategies wrote:Hey Machinesworking, this'll sort you out:
http://www.youtube.com/watch?v=UH9AhHDbe9g