Features you would like to see in Ableton 9?

[3dot...]

+1 above plus a pattern/tap type delay with pitch shifting per tap

meh...rack+grain delay...

[deanthomastunes]

I'd like to see Key-Detection for audio clips, with Camelot-wheel labels.

[deanthomastunes]

**Double-post**

Actually, I'm quite curious as to how much the upgrade from Live 8 - 9 and Suite 8 - 9 is going to cost.

[flowdesigner]

adg. reference M4L files so I dont need folders etc for racks to include M4L

[crumhorn]

On the piano roll I'd like to be able to select notes by rubber banding in the note velocity area.

[Acid303]

Linear Fader Slopes

Proper drawable crossfader automation over minutes

Built in step sequencer without the need for M4L

Free M4L Runtime

[The Philosopher King]

I'd actually like to see Softube Designed 'Trident A-Range' Console Strips. Vertical stylee. Instead of just the basics like volume and pan.

I def' want a solo button, and volume slider (horizontal - under the Preview Tab Waveform/MIDI display) built for the 'Preview Tab' area.

[steffensen]

I cant possibly read thru all these posts, but yea.. different Low/Highcut slopes in EQ8 is a obvious update feature imo.
Sure, we have 24db slope in Autofilter, and 48db with multiband.. but it isnt not a perfect solution really.

[3dot...]

I cant possibly read thru all these posts, but yea.. different Low/Highcut slopes in EQ8 is a obvious update feature imo.
Sure, we have 24db slope in Autofilter, and 48db with multiband.. but it isnt not a perfect solution really.

you can make it steeper if you use more than 1 "point" on the same freq... as explained in the manual

[steffensen]

I cant possibly read thru all these posts, but yea.. different Low/Highcut slopes in EQ8 is a obvious update feature imo.
Sure, we have 24db slope in Autofilter, and 48db with multiband.. but it isnt not a perfect solution really.

you can make it steeper if you use more than 1 "point" on the same freq... as explained in the manual

Well, d0h. I know... but it aint sounding that great doing it this way. For some reason.. I do love the EQ8 otherwise, usuage-wise as well as the sound.

[Khazul]

Every mixer channel to have a fx rack like Record's mixer and the pan control to include a width control so that you can get at and see basic mix functions on all channels *without* having to dig around inside tracks chains. An easy way to do this would simply be make the first rack's (instrument, fx or drum) knobs available in a new detachable the mixer view.

Finally that will give Live a really good mixing workflow -actually better even than cubase/logic.

A full mixer view should be accessible on a second monitor with the ability to hide specific channels, thus excluding them also from control surfaces.

[David Ve]

How about a full refund?????

[William]

Every mixer channel to have a fx rack like Record's mixer and the pan control to include a width control so that you can get at and see basic mix functions on all channels *without* having to dig around inside tracks chains. An easy way to do this would simply be make the first rack's (instrument, fx or drum) knobs available in a new detachable the mixer view.

Finally that will give Live a really good mixing workflow -actually better even than cubase/logic.

A full mixer view should be accessible on a second monitor with the ability to hide specific channels, thus excluding them also from control surfaces.

+1 to this!

[nylarch]

Every mixer channel to have a fx rack like Record's mixer and the pan control to include a width control so that you can get at and see basic mix functions on all channels *without* having to dig around inside tracks chains. An easy way to do this would simply be make the first rack's (instrument, fx or drum) knobs available in a new detachable the mixer view.

Finally that will give Live a really good mixing workflow -actually better even than cubase/logic.

A full mixer view should be accessible on a second monitor with the ability to hide specific channels, thus excluding them also from control surfaces.

++

[petit nuage]

here to resume my hopes :

- BOUNCE IN PLACE (DESTRUCTIVE MODE : to avoid freezing, flatten, un-freezing, when you must eq and comp more than 1000 sounds for sound design by exple )= MORE ERGONOMIC in the live's spirit .

- CONVOLUTION DEVICE(with a bank of impulses:reverb,eq,comp,preamp etc)

- AUTOSLICE for audio files in arrangement base on grid or transients .

- POSSIBILITY to apply a groove to some audio clips's (snippets /one shots/hits etc) sequence in arrangement like in midi:

exple : tranforming immediately an audio clips's sequence of several snippets based on a 1/16 grid in arrangement to an mpc funky'sequence just in ONE click!!!

- POSSIBILITY to edit several midi parts in ONE window nice for score composing for counterpoint .

- DNA MELODYNE STYLE KIND OF THING .

-NO MORE ISSUES with delay compensation with 3rd parties plugs .

- better waveform resolution

and of course and ever :STABILITY !


THANKS ABLETON !

ps :and why not a total REFUND because between reaper and bitwig's daw ableton MUST keep the 1 st place !