Tone Deft wrote:23kon wrote:The art of Turntablism is an analogue and hands-on skill.
You've got to know your records, know your tools and be quick, fast and skilled with your hands.
i.e It takes practice or it can come naturally and not everyone could 'make it' as a turntablist.
Controllerism on the other hand could literally be mastered by anyone as it's your computer or hardware that's doing all the REAL work - all the timings, calculations, effects etc.
All you need is the right hardware, right controllers and the right effects/glitch patches etc.
Oh, and of course some hipster clothing and stupid gestures in time to the music and emphasise your tweaking to the max!
In my opinion, Controllerists that DO deserve kudos are the guys who make their own controllers or create/program their OWN patches.
This does take some skill - technical skill.
you've never seen a good controllerist at work.
technical skill to build a controller? bullshit, that's just following schematics and wiring shit up until it works. (I design/tweak electronics for a living.) it mostly takes time and patience.
OK, time and patience or whatever.
The same time and patience and creativity too that it takes to make your own effects/patches for performance.
Folk who do this deserve kudos.
Folk that go out, buy a controller, download some patches that someone else has created and grab the latest top ten dance tracks and then start to tweak knobs do NOT deserve kudos.
Thats what I was saying!
It reminds me of back in my teens when I was a skateboarder.
There was skaters and there was skaters!
One bunch was kids who had all the latest expensive latest gear and talked the talk and who's focus was on being in the 'in gang'.
The other bunch was kids who made do with what they had and actually skated! who's time and effort went into boarding and learning new tricks and skills.
The first bunch were known as "grems", the second bunch (the skilled ones) were skateboarders!