This is one of the more frustrating things for me,theinfinate wrote:Has anyone had these problems or if you have any insight on the issue I would love to hear it.
It's also common for assholes to expose how irrelevant their knowledge is.102455 wrote:It's common on forums like this for people to want help with something, and yet they barely give any relevant info in their posts.
Well look at the big brain on JuanSOLO...JuanSOLO wrote:I knew exactly what the OP was about, it had precise info, DUH.
There's a specific forum for those kind of comments. The lounge. If you have nothing thread related or contructive to add, please don't waste everybody's time posting here.102455 wrote: No - it was a general observation based on forums in general. Not just this one, not this thread in particular, not that post in particular.
What, have I not got a right to reply when someone calls me an asshole?dixie237 wrote:If you have nothing thread related or contructive to add, please don't waste everybody's time posting here
I dont think he was refering to you personally. I think it was a general observation based on forums in general.102455 wrote: What, have I not got a right to reply when someone calls me an asshole?
Apparently I'm an asshole for describing what often happens on forums.
As for having nothing contructive (sic) to add, you must've missed my posts on the first page of the thread.
Yeah the kaoss series do have some cool filters and sounds, I am using a kp3 at the moment which I have just pulled out from the corner where it was collecting dust! It's cool but I like the idea of multi filters and layering effects. I forgot about the korg quad so I'm glad you mentioned itdixie237 wrote:
I will say though I prefer the Korg Kaoss Quad for dirtier gritty sounds (I run the EMX drums through it in series) , a lot less refined but more destructive.
I'd go thumbs up on the RMX though defo
what I'd really love is a piece of hardware that does what the app Turnado does, that is an awesome bit of software there!. The if I added something like the rmx in between as effects out before the second 505' I reckon that would be awesome. The only prob is that I really like to sing over the effects (which i love how the 505 does this) and not have my vocal line mangled by the effects, having the rmx there would mangle my vocals so I'm trying to get my head around the best way to do this. It's a tricky one! I know I can do all of this in live but I really just love touching knobs ( not in a gay way haha)Yeah, love Turnado. My go to vocal mangler in the studio. Kaoss Quad is the nearest thing to this.theinfinate wrote: what I'd really love is a piece of hardware that does what the app Turnado does, that is an awesome bit of software there!)
The SND Acme-4. Once running, I dont need to stop the clock feed. The RC-505's change banks seemlessly, so track mixing is easy. I could stop the individual clock feeds, but have all of my drum loops on the EMX set to 8 bars, and I use that as the visual cue on where I am in a track. So once all are running, with the 8 bar loops loaded into the RC 505's its tight.theinfinate wrote: what is your gadget for the master song stop and start?
Congrats mate. Only thing now is running out of hands to control it all....theinfinate wrote:I've just ordered another rc505
These are two different disciplines, for me I can get all my loops and sound together in Live which I love doing, then set them up for a jam with hardware, and just let the track arrange itself without a computer. I record these takes and then use them to build (rebuild) the track in live.theinfinate wrote:I know I can do all of this in live but I really just love touching knobs
Live and let live. Enjoy your knobsdixie237 wrote: Congrats mate. Only thing now is running out of hands to control it all....
yeah i know, i wish i had monkey feet then i could put the 505 on the ground! I was thinking of making a poking stick that i could attach to my arm and use it to press buttons when im playing guitar I'm actually seriousA Boss FS-6 would be easier.theinfinate wrote:[:lol: yeah i know, i wish i had monkey feet then i could put the 505 on the ground! I was thinking of making a poking stick that i could attach to my arm and use it to press buttons when im playing guitar
Never a good idea to attach poking sticks to ones self however tempting. Nothing on there I'm afraid. Maybe I'll have a go. I'll let you know if I dotheinfinate wrote:Have you got any vids on youtube? id love to hear your setup!
Yeah cool, i', always interested in seeing peoples setup, i am working on getting one on their. Hey have you heard of the iconnectmidi2+ and the 4+? the 2+ should be available in the next few weeks apparently. You can sync an ipad with your laptop and have the audio pass through the ipad so i guess that means you can use apps like turnado as effects, synth apps for sounds etc. It's going to be a revolution in the ipad music history in my opinion! I can't wait!dixie237 wrote:Nothing on there I'm afraid. Maybe I'll have a go. I'll let you know if I do
I've just run into this clipping/gating stuff. Is there any way around this?JuanSOLO wrote:This is one of the more frustrating things for me,
not just the timing issues with Live,
but specifically that it clips/gates midi input when the transport is not running in ext sync mode.