Hehe brilliant analogy! Thanks all for the discussion..tedlogan wrote:Isn't that like having a flea jumping competition inside someone's lounge, and then deciding "no, this won't do at all. We need to hold this competition inside a cathedral!"
I guessed there's no definitive answer. We're talking about fidelity so high the human ear has no way of discerning the difference...
However, we all know that summing large track counts to stereo exaggerates any audio quality issues (for example, the noise floor in each track is added, creating a much higher noise floor). So we can't trust our ears at the pre-summing stage...
Anyone know what sample and bit-rate recognised producers use for stems? Brian Eno? Richard D James? Joel Zimmerman even?? They're probably onto that 1bit system now