i dont print mixes a lot out of hesitance regarding workflow and signal chain, but after chopping up in my room every night after work this past year, I'm getting a better idea of how to mix; at least more-so than when i originally started.
here is a rough mix of a boom bap joint i rough-drafted up yesterday. basic eq/compression applied and pushed through a light mix bus finalized with a limiter. planning to apply some mid-side processing. after referencing in my car as well as good & bad headphones, i can personally say the low end sticks out way too much between the kick and sub, and the high transients could use some taming.
anyway, anyone with two minutes or so, please share some thoughts.
Discussion of music production, audio, equipment and any related topics, either with or without Ableton Live
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