post the Monitors that you're Using and why

Discussion of music production, audio, equipment and any related topics, either with or without Ableton Live
EEkevin
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Location: Chicago, IL burbs
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Post by EEkevin » Thu Aug 04, 2005 6:14 pm

I use Alesis M1 Active MK2 Powered Studio Monitors. Cheap, decent sound, came with some free Auralex studiofoam tiles through a deal at Guitar Center. Equally as important... the speakers in my Civic.

got a decent review at sound on sound (the MKIIs, not my Honda Civic):
http://www.soundonsound.com/sos/Aug02/a ... esism1.asp

-Kev
"He had become his real old self again and could look you in the face."

feyshay
Posts: 625
Joined: Mon Jan 24, 2005 9:10 pm
Location: Annapolis, MD

monitors

Post by feyshay » Thu Aug 04, 2005 10:40 pm

I've been very happy with these Event ASP 8 monitors. I bought them after comparing them with the Mackie 824. I thought they sounded better and had a better bottom end. I have a pair of BX5's with an SBX (subwoofer) that I have in a different area, but these are much better (because I don't think the subwoofer helps with mixing--in fact I think it makes it more difficult). Better to have enough bottom end on your monitors to avoid having to add a subwoofer.
They look really nice too.

Soulman
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Post by Soulman » Fri Aug 05, 2005 8:15 am

A pair of Mackie SRM450's :lol:
Usually with my Pioneer DJM600, sometimes my Behringer DX1000.

Next door is up for sale again for the 5th change of owners in 19 years. 8O

Wonder why they keep moving? :roll: :lol:
Les
http://www.myspace.com/lesscurr

Gigged at Yates, The Orange Corner & Plastik, Ibiza - June & Sept '06.

Gigged at The Orange Corner, Ibiza, 2007
June 21st, ambient chillout House & Latin
June 23rd, Electro & Tech House

annadyne
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me mons

Post by annadyne » Fri Aug 05, 2005 8:43 am

Event ASP-8 Studio Precision Monitors.

Reasons:

Biamped. Low and High trim pots. Inputs: XLR + 1/4" bal or unbal.
Tight internal limiting protection.

$999.00 new from bpmmusic.com.

Extended bass response. Smooth like larger JBLs, but nicely detailed. Sound is kick-ass - literally. Lo-lo bass freqs do NOT create typical port-whooshing.

Was going to get HR824s but the price and reviews in mix and electronic musician mag hooked me.

Verdict: :D

annadyne - elizabeth

'Aurascene'
secret orange star studio

paddypaws
Posts: 172
Joined: Wed Nov 17, 2004 4:04 pm

Post by paddypaws » Fri Aug 05, 2005 8:49 am

dynaudio BM 5A

high-performance very compact design and it is extremely well suited for production environments where space is a concern. well suited for music monitoring and mixing, broadcasting, OB vans, edit suites, playback suites, project studios and smaller post production facilities. remarkable performance, i work in a production studio and i love them
"Unless you see somebody's eyebrows, it's difficult
to communicate. That's why dogs are more popular than
cats - because they have eyebrows." - David Lee Roth
http://myspace.com/paddypaws123

puRe
Posts: 80
Joined: Sun Jul 18, 2004 8:36 am
Location: Serbia
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Post by puRe » Fri Aug 05, 2005 8:56 am

Dynaudio BM6A

cause I love them (I only like Adam's more)...

spiderprod
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Joined: Wed Mar 31, 2004 10:11 pm

Post by spiderprod » Fri Aug 05, 2005 11:33 am

i have a pair of alesis one & a 2k prosound system with 2 hand made amps ,both 600w rms ,i just need to feel it .

Teon
Posts: 7
Joined: Wed Apr 30, 2003 2:15 am

Monitors

Post by Teon » Fri Aug 05, 2005 4:18 pm

Pioneer/TAD TSM-300

I've heard a lot of monitors...but these TSM-300 are amazing. Way cool spacials and placement.

2 6" edgeless woofers and right in the middle TAD driver.

Too bad Pioneer/TAD doesn't market these dudes..they are sweet.
I also use for bass the Sunfire Subwoofer which is way to low to go.

smart1123
Posts: 447
Joined: Thu Mar 10, 2005 10:39 pm
Location: Vancouver, Canada

Post by smart1123 » Fri Aug 05, 2005 4:30 pm

Event 20/20's

'Cause I traded them for my Yamaha P2500 Power amp that I had from my restaurant and my JBL Control 5's that I bought cheap and hated (Harsh)
Wasn't sure about the 20/20's at first (I still think they colour the sound) but since I have gotten to know them they have totally grown on me and I'm very happy now.

Would like some NS-10's as well tho'... no money for that anytime soon... oh well.
15" TiBook 1.5 GHz 1Gig RAM, MOTU Traveller, Live 5, Reaktor 5, Alesis Micron, Yamaha EX-5, UC-33e, BCR2000, Lexicon MPX-1, Orbit, Event 20/20's

ocp
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Location: Porto, Portugal
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Post by ocp » Fri Aug 05, 2005 5:06 pm

Fostex PM1

Nicely priced, robust build and tight sound (with enough bass).

8)
MacBook Pro 2.0, 2 GB RAM, Mac OS 10.6.8, Live 7.0.18, etc.

http://ocp.pt.vu
http://doporto.pt.to

Agent47
Posts: 155
Joined: Mon Jul 18, 2005 6:55 pm
Location: USA..

Post by Agent47 » Fri Aug 05, 2005 6:34 pm

I am interested in recording in surround sound, anyone know what monitors might be good for that??
I am neither a jockey nor do I spin anything....

hat
Posts: 284
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Location: Brooklyn, NY
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Post by hat » Fri Aug 05, 2005 8:52 pm

Monitors: KRK V6II
There's only one reason which should apply to everyone regardless of the monitor:
because I know them and my mixes translate well.

StompyJ
Posts: 417
Joined: Sun Jun 27, 2004 3:33 pm

Post by StompyJ » Fri Aug 05, 2005 9:07 pm

mackie hr824s

Treat your room properly and you'll hear all the bass thats really in the mix, and for dance based music, isn't that whats important ;)
no longer needed. this is for you. you know who you are.

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