Matt Moldover's setup -- Pretty amazing!
Matt Moldover's setup -- Pretty amazing!
http://www.youtube.com/watch?v=WPYvQz3_R9Y
http://www.youtube.com/watch?v=E1qxEQNUi-k
These are videos of Matt Moldover explaining his setup. Pretty intresting. I really with they were more detailed though. If anyone can pick these apart and share the details, PLEASE do!
I'm extremely interested in what is shown at :30 seconds into the second vid. He explains that the last bar played it being constantly recorded and mapped to the first four keys of the keyboard. So you can then resequence and juggle them. Anyone know how to set that up?
http://www.youtube.com/watch?v=E1qxEQNUi-k
These are videos of Matt Moldover explaining his setup. Pretty intresting. I really with they were more detailed though. If anyone can pick these apart and share the details, PLEASE do!
I'm extremely interested in what is shown at :30 seconds into the second vid. He explains that the last bar played it being constantly recorded and mapped to the first four keys of the keyboard. So you can then resequence and juggle them. Anyone know how to set that up?
If you listen later, you can tell it is. He even says...Parametex wrote:It's actually playing the same sample all the time... For what I hear... Its not really dynamically capturing and remapping all the time... Whitch would have been nice...
"...this is a resequencer. This is recording the last bar that played."
He then points to which key is which bar and demonstrates.
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That's what I've gathred from other boards. But I still haven't found out how.robbmasters wrote:If you watch his other videos, you'll see he 's a big fan of Reaktor, and has a custom Reaktor patch on each Live track. So I'm guessing he does this resequencing with Reaktor.
We don't have any Reaktor gurus here?
On a site note, watching those vids, that guy asking the questions and playing with the keyboard really gets on my nerves. He's pretty annoying. Heh.
bump
and I wonder if he hacked his SL's (that's an SL37?) touch pad to a linear strip, IOW tap into the electronics, remove a connection to the X/Y pad, solder it to a linear pad.
Good to hear Moldover doing less hectic mixes, he's a madman, I respect the way he shows his setup.
and I wonder if he hacked his SL's (that's an SL37?) touch pad to a linear strip, IOW tap into the electronics, remove a connection to the X/Y pad, solder it to a linear pad.
Good to hear Moldover doing less hectic mixes, he's a madman, I respect the way he shows his setup.
In my life
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
I'm on-call at work for the next 3 weeks, then I have 3 weeks holidays. I'll have time to write patches then :SVerbal wrote:Details?bragi0 wrote:That particular thing would be a reasonably easy Audiotable patch
I'd approach it with a simple ramp oscillator on the WX, lock WY and RY to 0, then maybe have four ramp oscillators feed into RX, with the appropriate positions calced from the MIDI CLOCK and samplerate.
Nothing hideously complex in there.
I did a similar thing to create a vinyl stop effect that continues on the next beat.
Vinyl Stop Screenshot
This was the very first version of the very first patch I ever made, so forgive its.... ahem, ugly qualities
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or a ridiculously easy [buffer~] manipulation thing in MaxMSP I think it's even a tutorial in max.bragi0 wrote:That particular thing would be a reasonably easy Audiotable patch
AND, since this is an ableton forum, wet/dry switching of simple delays will get really pleasing re-ordering effects too.
mbp 2.66, osx 10.6.8, 8GB ram.