At last, some common sense!djsynchro wrote:A good compressor sounds good.
how do you tell a good compressor
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To elaborate on that, some of the best sounding stuff doesn't have tons of knobs and switches and features. Famous example: Teletronix (Now Universal Audio) LA2A: One knob for compression (more/less) one knob for make-up gain. A switch for 2 different ratios (originally at the back of the unit meant to be set one way or the other then left alone) that's it.
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some of my favorite compressors are the old dBx ones with the wood sides..... the 160, which only has a couple of knobs, ratio selector and a meter (kinda pricy these days, the later 160A and 160xt are great too, though, and quieter), and then the el cheapo 163/164's with a single slider that just says "more"...... you are stuck with dBx's preset time constant and attack/release curve, but that keeps you from getting in too much trouble. great for putting a little extra point on a kick, or for bass.djsynchro wrote:To elaborate on that, some of the best sounding stuff doesn't have tons of knobs and switches and features. Famous example: Teletronix (Now Universal Audio) LA2A: One knob for compression (more/less) one knob for make-up gain. A switch for 2 different ratios (originally at the back of the unit meant to be set one way or the other then left alone) that's it.
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