I think the idea is to use clip gain and instrument volume controls so that each track plays at -6 when it's own fader is at 0.belmiro wrote:I usually drop the faders on individual tracks to ensure -6db on the master channel.
I never thought to use the gain on the individual clips to achieve this instead thus keeping each individual channel at 0db.
Which is the best way, or is either ok?
You then use the faders to mix the song keeping the master at -6.
I believe it's is to ensure each individual part is making full use of the available bit depth. Although I think it would have made much more differnce on analogue desks than with 64 bit summing digital audio.
It's also just makes sense to have each part at roughly the same level before the mixdown rather than having say, a very loud sound with it's fader right down.
Someone correct me if I'm wrong here. My knoweldge is a little patchy.