Yeah, a lot of odd little ticks in Live can be attributed to the tacking on of a 128 automation parameter limit MIDI implementation around the time soft synths had completely taken over. I'm sure in many ways it's elegant to cut out SysEx, NRPN, etc. but it's costing them a performance tool in MPE.jonljacobi wrote: ↑Fri Dec 06, 2019 4:31 pmI don’t use MPE a lot, but it does strike me as something Ableton would’ve been all over if it were easy. A bad, but understandable early design decision not to deal with all MIDI data coming home to roost.
Just wondering how everyone would like to see it implemented.
Reaper does MPE pretty good here, so does Bitwig. I don't think Live would suffer Logic's shortcoming there? Logic doesn't allow selection by port on virtual instruments, so you can only have an MPE controller selected since it takes all 16 channels, which isn't an issue in Reaper.