TIP: A General Word On Multiband Compression
TIP: A General Word On Multiband Compression
hi abletonians,
after reading lately a fair bit through the forum, i feel the need to spend a few words on the topic multiband compression.
i encountered that quiet a few people ask for a multiband compressor for "mastering", placing it onto the stereo sum / mastering track and a few people sugesting it as being a good thing to do.
do NOT use a multiband compressor on a stereo sum / master channel!
multiband compression and mastering is something that does NOT belong together.
i know that a few people said that they have good / positive results "fixing" a track with MC, i believe that it is true. however here are the reasons to NOT do so.
a MC is a single channel insert device there to either tame certain frequencies / dynamics and / or to colour a sound. it should be 'if' used inserted onto a single sound / track such as the kick, snare, piano, synth, vox, etc, etc... (for the reasons mentioned above)
if you have to "fix" a mix with a MC in order to get a better result of the bounced stereo file, then this is clearly a sign of a bad mixdown alltogether.
"mastering" is NOT there to fix a mix! it is there to pull the last possible "sonic juice" out of a mix (and it is NOT only about the achived volume!)
if a mix "needs" a MC then rather "fix" the entire mixdown. in other word mix and EQ, etc the whole mix again.
ok, you can argue: why should i do this if a MC takes me to the "same" result?
here are the answers:
1, it does not completely take you to the same result, a MC is one of the most delicate plugs / hardware to use it can be easy as distructive to your mix as it does good. (in most cases it's destructive and in professionel prax very rarely used)
2, if you ever come into the situation (and money) to give your work to a real professionel mastering studio, then most likely any good ME will send the mix back, if it either contains musltiband compression already or needs multiband compression. as any good ME want touch an MC on a master stereo track! (only mediocre MEs will use it.)
the result you will achieve / get giving a good harmonic, well balanced mix without MC to an ME will by easiely 100% better then any mix that needs MC in the first place.
the better the mix is in the first place the better the mastering will be and can do absolut wonders to your track.
have a nice day.
after reading lately a fair bit through the forum, i feel the need to spend a few words on the topic multiband compression.
i encountered that quiet a few people ask for a multiband compressor for "mastering", placing it onto the stereo sum / mastering track and a few people sugesting it as being a good thing to do.
do NOT use a multiband compressor on a stereo sum / master channel!
multiband compression and mastering is something that does NOT belong together.
i know that a few people said that they have good / positive results "fixing" a track with MC, i believe that it is true. however here are the reasons to NOT do so.
a MC is a single channel insert device there to either tame certain frequencies / dynamics and / or to colour a sound. it should be 'if' used inserted onto a single sound / track such as the kick, snare, piano, synth, vox, etc, etc... (for the reasons mentioned above)
if you have to "fix" a mix with a MC in order to get a better result of the bounced stereo file, then this is clearly a sign of a bad mixdown alltogether.
"mastering" is NOT there to fix a mix! it is there to pull the last possible "sonic juice" out of a mix (and it is NOT only about the achived volume!)
if a mix "needs" a MC then rather "fix" the entire mixdown. in other word mix and EQ, etc the whole mix again.
ok, you can argue: why should i do this if a MC takes me to the "same" result?
here are the answers:
1, it does not completely take you to the same result, a MC is one of the most delicate plugs / hardware to use it can be easy as distructive to your mix as it does good. (in most cases it's destructive and in professionel prax very rarely used)
2, if you ever come into the situation (and money) to give your work to a real professionel mastering studio, then most likely any good ME will send the mix back, if it either contains musltiband compression already or needs multiband compression. as any good ME want touch an MC on a master stereo track! (only mediocre MEs will use it.)
the result you will achieve / get giving a good harmonic, well balanced mix without MC to an ME will by easiely 100% better then any mix that needs MC in the first place.
the better the mix is in the first place the better the mastering will be and can do absolut wonders to your track.
have a nice day.
ahhh... sorry folks i forgot.
of course you (can) use a compressor for mastering any colour free transparent compressor will do.
(generally the use is to tame levels and not to "shape" for "shaping" you use different tools, compressors with a coloured sound are more for channel use to "shape" a certain sound)
cheers
of course you (can) use a compressor for mastering any colour free transparent compressor will do.
(generally the use is to tame levels and not to "shape" for "shaping" you use different tools, compressors with a coloured sound are more for channel use to "shape" a certain sound)
cheers
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I find even a 'colour free' compressor changes the sound character (e.g. often less deep low).SubFunk wrote:...of course you (can) use a compressor for mastering any colour free transparent compressor will do.....
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I couldn't disagree with you more.
Firstly you shouldn't master your own track - you are too close to it. Someone mastering someone elses track has no choice but using a MC on the entire track if the dynamics need altering.
By your logic, there is no mastering process, as you want to achieve the finished result by simply summing the busses?
I don't think so.
Firstly you shouldn't master your own track - you are too close to it. Someone mastering someone elses track has no choice but using a MC on the entire track if the dynamics need altering.
By your logic, there is no mastering process, as you want to achieve the finished result by simply summing the busses?
I don't think so.
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3 hours+ working on one track and there's no way i'm trusting my own ears!! After that amount of time the muddiest mix sounds great lol
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leisuremuffin wrote:
(the best advice i have ever been given was from a highly aclaimed US mastering engineer, michael fossenkemper http://www.turtletonestudio.com
he said to even close your eyes as much as possible while tweaking a parameter, to not be distracted by any number settings or levels graphically, only to watch clipping, that's all, otherwise to work "blind" and not to worry about any numbers written onto you gear. just to trust your ears, that's why a good monitoring and room treatment is the most important investment in the studio bar none!)
mercyplease wrote:
word! i absolut second that.the only rule in audio is trust your ears.
actually, no that's the second rule, the first is have the best monitoring you can afford.
(the best advice i have ever been given was from a highly aclaimed US mastering engineer, michael fossenkemper http://www.turtletonestudio.com
he said to even close your eyes as much as possible while tweaking a parameter, to not be distracted by any number settings or levels graphically, only to watch clipping, that's all, otherwise to work "blind" and not to worry about any numbers written onto you gear. just to trust your ears, that's why a good monitoring and room treatment is the most important investment in the studio bar none!)
mercyplease wrote:
this is an old technique absolut no really good mastering engineer uses them anymore, yes a MB was developed for that, but kinda "failed"A mixdown in need of eq and multiband compresion is not nescessarily a result of a bad mixdown.Sub you can use multi band compression on the master in fact thats its prime use.
with due respect you really need to read up what mastering engineers have been doing and using for years.
an EQ or for that matter any other mastering device... is totally ok to be used. i just said that it is better to use any other form of treatment then a MC, if you have to taim only certain levels with a MC, then it's better to do that before hand in the mix, that's all.A mixdown in need of eq and multiband compresion is not nescessarily a result of a bad mixdown.
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