Who's tracing the future of composition
Who's tracing the future of composition
Saw the preview of Cubase SX on Steinberg's site.
Well, they picked up the best of Live (time stretching) and Tracktion (in-place midi editing).
I say the sound quality of Cubase is probably better than Live
BUT
They (Steinberg) can. They need 6 months to do what Ableton and Raw Material did in years of innovative developing.
So, who is tracing the future? And who traced the present?
PS: Hating Cubase, I made two albums with MadTracker and a good human sound designer. Probably my dog will not ear the super quality of 32 bit. But art (and music), they teach, is also making something good with less instrument and less less less money. Otherwise, where is creativity?
Well, they picked up the best of Live (time stretching) and Tracktion (in-place midi editing).
I say the sound quality of Cubase is probably better than Live
BUT
They (Steinberg) can. They need 6 months to do what Ableton and Raw Material did in years of innovative developing.
So, who is tracing the future? And who traced the present?
PS: Hating Cubase, I made two albums with MadTracker and a good human sound designer. Probably my dog will not ear the super quality of 32 bit. But art (and music), they teach, is also making something good with less instrument and less less less money. Otherwise, where is creativity?
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I really don't understand what people mean when they say "[insert program name here] has better soud quality than [insert program name here]".
In this instance we've got Cubase has better sound quality than Live.
What do you mean? Are you being technical, because it sure doesn't sound like it. Are you just expressing an opinion garnered by your own aural experiences? Are you talking about a general consensus on the matter, or is this an individual statement??
I can't see how two digital programs can SOUND any different. If I install Cubase and Live, the only difference would be in GUI.... or would it??
In this instance we've got Cubase has better sound quality than Live.
What do you mean? Are you being technical, because it sure doesn't sound like it. Are you just expressing an opinion garnered by your own aural experiences? Are you talking about a general consensus on the matter, or is this an individual statement??
I can't see how two digital programs can SOUND any different. If I install Cubase and Live, the only difference would be in GUI.... or would it??
maybe in the same way that waves EQs sound different to MDA EQs - different algorithms and ways of handling data and ensuring the timing of each bit of data fits in a way that there's no distinguishable latency between any of the 'chunks' that would cause phasing and things like that I guess - or something like that - there must be a million ways software can sound differentAmberience wrote: I can't see how two digital programs can SOUND any different. If I install Cubase and Live, the only difference would be in GUI.... or would it??
personally I have no gripes with the sound in Live - in fact I could quite safely say that I have never felt more satisfied with the sounds I'm now getting using Live 4, NI Komplete2, Waves Gold 5 and Microtonic. After a very long time fooking around with different ways of making music it's nice to finally feel like I can stop it and just get on with the music - there were always too many irritating things that got in the way with logicbase.
Yup. Say what you want, pull out all the technical theory to refute it that you want, but audio from different engines has always sounded different to me. I can't explain it, but it does.AdamJay wrote:for the same reason that so many people love the sound of an SP-12 , thousands more could give you a reason why its inferior.
every tool in the world has its own character.
Last edited by Rahlo on Fri Sep 03, 2004 4:08 am, edited 1 time in total.
peace,
rahlo
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http://www.rahlo.com
MacBook Pro, Live 8, Reason 4, Akai MPD 32, Akai MPK 49, Akai APC 40, Metric Halo ULN-2 expanded, Apogee Duet.
rahlo
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http://www.rahlo.com
MacBook Pro, Live 8, Reason 4, Akai MPD 32, Akai MPK 49, Akai APC 40, Metric Halo ULN-2 expanded, Apogee Duet.
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