SYLENTH 1..works a dream in Live 7...
SYLENTH 1..works a dream in Live 7...
hi a guy recommended i try out sylenth 1 as i was looking for a new vst so i downloaded then bought it yesterday and i must say that it not only sounds amazing but when used in live 7 it's perfect,hardly takes any cpu at all..overall i think i found the perfect vst and it's cheap on £111.94 yesterday..is anyone else here using sylenth with live?
p.s
im not sure if it's available for macs yet though but i think its in the pipeline..check it out here:
http://www.lennardigital.com/modules/sylenth1/index.php
cheers
rob
p.s
im not sure if it's available for macs yet though but i think its in the pipeline..check it out here:
http://www.lennardigital.com/modules/sylenth1/index.php
cheers
rob
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For a VA it kicks zebra's ass.
Sure zebra can do some other stuff, but for fat leads, violent/hard pads (zebra do softer pads better), glides, hoovers, some types of basses etc sylenth is just the deal..
http://www.vstsoundbanks.com/mp3/vstsou ... nth1_1.mp3
http://www.vstsoundbanks.com/mp3/vstsou ... nth1_2.mp3
Sure zebra can do some other stuff, but for fat leads, violent/hard pads (zebra do softer pads better), glides, hoovers, some types of basses etc sylenth is just the deal..
http://www.vstsoundbanks.com/mp3/vstsou ... nth1_1.mp3
http://www.vstsoundbanks.com/mp3/vstsou ... nth1_2.mp3
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Doesn't say much for marketing.... but for me, I got Zebra free on a CM mag coverdisc (lite version) and have this "free with crap mag" thing in the back of my mind when I think of it.
Maybe other vst creators should think twice before getting into bed with said magazine?
Or maybe i'm just too prone to suggestion?
Any ideas you may have will of course be taken on board fully (at face value, subject to status and credit check).
Sylenth however, is the danglers.
Maybe other vst creators should think twice before getting into bed with said magazine?
Or maybe i'm just too prone to suggestion?
Any ideas you may have will of course be taken on board fully (at face value, subject to status and credit check).
Sylenth however, is the danglers.
I'd agree that Zebra doesn't have that sound if you just dial up a simple patch, the way something like Sylenth or impOSCar does. You certainly *can* get those kinds of sounds out of Zebra with a little extra work though.ethios4 wrote:I just meant that I don't think Zebra sounds as 'analog' as Sylenth...certainly 'analog' enough though
This is what makes Zebra special for me. I love synths like Absynth and Surge but I can't get those analog-ish sounds out of them. I can do *almost* anything I want with Zebra.
So how would you explain that Zebra2 was voted the #1 softsynth last year and that is probably the most frequently recommended and purchased softsynth that isn't made by NI? Zebra2 is a little too complex for my taste but having a lite version in CM certainly didn't hurt it's popularity or sales.Warminstrel wrote:Doesn't say much for marketing.... but for me, I got Zebra free on a CM mag coverdisc (lite version) and have this "free with crap mag" thing in the back of my mind when I think of it.
Maybe other vst creators should think twice before getting into bed with said magazine?
Or maybe i'm just too prone to suggestion?
Any ideas you may have will of course be taken on board fully (at face value, subject to status and credit check).
Sylenth however, is the danglers.
I understand your perception but a Bose stereo is the same Bose stereo whether you buy it from their outlet store in the mall or at a Walmart. (I don't endorse Bose)