Posted: Thu Jan 29, 2009 1:02 am
it makes sense to me (just replace Guitar Rig with Revalver mk3)jbone1313 wrote:Does that make sense? Someone! Anyone! Please tell me this makes sense!!!!
it makes sense to me (just replace Guitar Rig with Revalver mk3)jbone1313 wrote:Does that make sense? Someone! Anyone! Please tell me this makes sense!!!!
You're not a PITA, don't get me wrong.rhythminmind wrote:You have to monitor more often then not.. A vocalist with headphones in a booth. A guitar player playing with realtime plugin FX. Someone with a mpc jamming in realtime with plugin FX, Nevermind someone recording with a virtual instrument. ect, ect.[nis] wrote:rhythminmind, have you read the 2nd half of my post?
Also, why should I monitor my hand clap through software? I can hear it directly, so I turn monitoring off, record and all is good. I guess you're getting these two concepts mixed up.
I'm not trying to be a PITA i'm just having a real hard time with abes view.
Not neccessarily. Please see my Piano example as quoted from earlier in this thread:[nis] wrote: If you monitor your handclap or your guitar through software fx and you are playing along a pre-recorded audio track, then you NEED to manually compensate yourself if you want to be in time with the rest of your song.
See what I mean?jbone1313 wrote: There's some confusion about latency going on here. There are two types of latency we're taking about: playback latency, and the latency Live adds when you're recording with monitoring on.
I can get used to the playback latency I hear when I'm playing (just like I would with a "real instrument"), but not the recorded latency. I want the notes to be recorded on time--not with the latency.
There's a big difference. Think about it like this: suppose you take a "real instrument", and mic it up. Lets say a piano. Then you record it with monitoring. Since Live adds latency to the recorded audio, you get 2x the latency. You get the latency from the "real instrument" plus Live's added latency.
There you said it. Whilst you are monitoring you have latency. The audio signal you feed through a software will be late by the amount of the roundtrip latency latency of your audio interface. This means that what you play is not in time. Live does not add any latency, it records what you play. If you want to be in time with the previously recorded track, you need to compensate your play.rhythminmind wrote:There is still latency while monitoring thats with every DAW. Let me say this again monitoring only.
[nis] wrote:I give up.
Me too. But, I do appreciate you talking with us about this.[nis] wrote:I give up.
You're welcome.jbone1313 wrote:Me too. But, I do appreciate you talking with us about this.[nis] wrote:I give up.
Even though I disagree, I appreciate it. Thank you.
See what I mean?[/quote]jbone1313 wrote: There's some confusion about latency going on here. There are two types of latency we're taking about: playback latency, and the latency Live adds when you're recording with monitoring on.
I can get used to the playback latency I hear when I'm playing (just like I would with a "real instrument"), but not the recorded latency. I want the notes to be recorded on time--not with the latency.
There's a big difference. Think about it like this: suppose you take a "real instrument", and mic it up. Lets say a piano. Then you record it with monitoring. Since Live adds latency to the recorded audio, you get 2x the latency. You get the latency from the "real instrument" plus Live's added latency.
This is true..kb420 wrote:A lot of companies support team members would have never taken that kind of abuse on a forum.
I salute you!