Ableton Forum

what scares me about cperrez is that he was a boy band tool. he rants about all this experience but doesn't have a goddamn clue about music tools, let alone how to treat people. all that touring and he's a social retard. a music career that left him absolutely clueless about music.

I pity him. I don't know why people bother to answer his rants.

cperezzz wrote: is it true orientals have their monitors' screen resolution set to 1024 X .6 ???
i know i know that's not a very rice thing to say.

Hey boy band kid, in the spirit of this forum, you should just leave, and never come back.
Racism isn't tolerated in Germany, and it would be a matter of no consequence to report you to Ableton for your oh-so-hilarious comment to Chang. Leave, think about growing up a little, start a new nick, and don't go there ever again, and maybe you'll get better responses and some respect.

It's no mystery to anybody who even thinks about it for a second that boy bands are simply not considered real musical acts by most musicians. It's considered flashy marketing with a few talented engineers behind the music and hopefully some decent vocal training on the part of the eye candy for prepubescent girls out front. You running around talking about "pro" this and that when you basically played fluff music as "credentials" is what had you laughed at to begin with. Had you a sense of humor about it, like I can assume Justin Timberlake has, ( you know people razz him about it, no doubt), then it wouldn't have gone there. As it stands, you have few options considering the people here:

1. Leave, and create a new nick, be humble a little, just a tiny amount, and don't be a racist prick. Maybe you'll get some answers that aren't laughing at your arrogance.

2. Stay, and eventually Dom will be notified of your racist bullshit, and your IP will be banned.

You should do #3, and apologize to Chang, make a concerted effort to right your wrongs and maybe save your name. As it stands, you kinda fucked yourself royally. We all know who you are, and this forum is now a record of what a racist piece of shit you are. Good luck in the "pro" industry. At least here in the states, your actions here would be the kiss of death.

This is my last and only attempt at reason with you, as I really don't think you're worth the effort. Racist jokes need a fuck ton of context to even begin to be funny, and are never a great come back to being owned by somebody online, period.

Machinesworking wrote: 1. Leave, and create a new nick, be humble a little, just a tiny amount, and don't be a racist prick. Maybe you'll get some answers that aren't laughing at your arrogance.

Perhaps he could just retain the final three letters because that's what nine pages of this is producing in me.

Machinesworking wrote:
You should do #3, and apologize to Chang, make a concerted effort to right your wrongs and maybe save your name. As it stands, you kinda fucked yourself royally. We all know who you are, and this forum is now a record of what a racist piece of shit you are. Good luck in the "pro" industry. At least here in the states, your actions here would be the kiss of death.

He might do ok in parts of Limbaugh County, Florida and he'd probably be a superstar on the Hannity forum, though they might not get the pixel reference.

Homebelly wrote:In this day and age there are probably very few producers/engineers making music using any one single piece
of software or DAW. In that light Live is a very cool sketch pad that some people, my self included, rarely
move out side of. On the other hand there are others that use live to compliment other DAWS, or use other DAWS to compliment live.
I used to create lots of loops in Logic, then import them into live.
Now i use logic instruments in mainstage on one computer, and record them into live on another.

What is it you want to be able to do with live?
Maybe tell us a bit about that, and maybe we can tell you if live is good for that, or if some other DAW would be better suited.

i think i'll take my royalty check and buy a MAC and LOGIC. i like what i've been reading about LOGIC.

cperezzz wrote:

Homebelly wrote:In this day and age there are probably very few producers/engineers making music using any one single piece
of software or DAW. In that light Live is a very cool sketch pad that some people, my self included, rarely
move out side of. On the other hand there are others that use live to compliment other DAWS, or use other DAWS to compliment live.
I used to create lots of loops in Logic, then import them into live.
Now i use logic instruments in mainstage on one computer, and record them into live on another.

What is it you want to be able to do with live?
Maybe tell us a bit about that, and maybe we can tell you if live is good for that, or if some other DAW would be better suited.

i think i'll take my royalty check and buy a MAC and LOGIC. i like what i've been reading about LOGIC.

You and loigc will never be occupying the same room.

scott nathaniel wrote:You and loigc will never be occupying the same room.

seriously lmfao!!!

scott nathaniel wrote:

cperezzz wrote:

Homebelly wrote:In this day and age there are probably very few producers/engineers making music using any one single piece
of software or DAW. In that light Live is a very cool sketch pad that some people, my self included, rarely
move out side of. On the other hand there are others that use live to compliment other DAWS, or use other DAWS to compliment live.
I used to create lots of loops in Logic, then import them into live.
Now i use logic instruments in mainstage on one computer, and record them into live on another.

What is it you want to be able to do with live?
Maybe tell us a bit about that, and maybe we can tell you if live is good for that, or if some other DAW would be better suited.

i think i'll take my royalty check and buy a MAC and LOGIC. i like what i've been reading about LOGIC.

You and loigc will never be occupying the same room.

what is loigc? is that similar to logic? let me know the detail on loigc. i'm interested in learning about it.

cperezzz wrote:

scott nathaniel wrote:

cperezzz wrote:


i think i'll take my royalty check and buy a MAC and LOGIC. i like what i've been reading about LOGIC.

You and loigc will never be occupying the same room.

what is loigc? is that similar to logic? let me know the detail on loigc. i'm interested in learning about it.

I don't know, you chew on it for awhile. Now, everyone has gone, so be sure and lock the doors when you leave, o.k. Goodnight!

me

Dom Jameson

Peter van Knakworst

Sylvia Szantovakovitsj

Live is best for... Live! Huge artists use it as a sequencer because they are not obliged to follow the chart night after night.

For a main DAW, there are too many better softwares out there.

lapieuvre wrote:Live is best for... Live! Huge artists use it as a sequencer because they are not obliged to follow the chart night after night.

For a main DAW, there are too many better softwares out there.

Like what? What's the difference between recording piano/guitar in Live as opposed to Cubase/Logic. At the end of the day, the quality is going to depend on the user/musician.

lapieuvre wrote:Live is best for... Live! Huge artists use it as a sequencer because they are not obliged to follow the chart night after night.

For a main DAW, there are too many better softwares out there.

thank you lapieuvre...you are the only one that gave me a straight answer. why it took over 120 posts to get a straight answer? sure tells me alot about this place.