jaynyc wrote:The FAQ section suggests keeping the frequency splitter knob around 11 oclock, i guess in the low 50s.
Noob Q: the frequency splitter knob ranges 1 thru 127. how do i know what actual frequency value is [1..127] the cutoff?
jaynyc wrote:The FAQ section suggests keeping the frequency splitter knob around 11 oclock, i guess in the low 50s.
Noob Q: the frequency splitter knob ranges 1 thru 127. how do i know what actual frequency value is [1..127] the cutoff?
You need to look at the one of the filter inside the racks - if you setup the midi corretly every single filter should have the exact same settings across the entire 2 deck setup. These filters (along with a neat little inversion trick) is what splits the frequencies up. If you are using Ableton 8 instead of being labled from 0 to 127 you will find that the actual racks now contain the actual frequency instead labled on the macro instead of 0->127 so if you are using Ableton 8 theres no need to look at the filter.
The actual way that the frequncies are split should be pretty interesting to alot of people, quite often i see people trying to split a channel into multiple frequency ranges only using a number of filters or a number of eq8's, its impossible to get a colourless frequency split in this fashion. You can apply this method to other things and not just smartmixing - very useful if you want to apply an effect to just the high end or low end for instance

If you had a single band compressor in this way you could turn it into a multiband compressor (like i did with the smartmixer), if you want a reverb just applied to the high ends of your mix thats also possible.
Ill do a little write up sometime soon about frequency splitting - but if colourless frequency splitting is interesting to anyone id highly suggest checking out the live file in the meantime and the signal chain picture in the second article i linked to.
Thanks to those who have dontated, it really helps keep me motivated on this project
