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Re: BREAKBEAT production tutorial in ABLETON
Posted: Tue Jul 13, 2010 12:43 am
by Slightlydelic
having never used logic can someone tell me what different about logic's sample delay, compared to abletons track delay?
Re: BREAKBEAT production tutorial in ABLETON
Posted: Thu Jul 15, 2010 3:29 pm
by netwarrior
any more tips and tricks???
Re: BREAKBEAT production tutorial in ABLETON
Posted: Wed Oct 06, 2010 1:13 pm
by netwarrior
up
Re: BREAKBEAT production tutorial in ABLETON
Posted: Wed Oct 06, 2010 2:45 pm
by nylarch
To get your drums fatter without killing all the transients...
Group all of your drum tracks. Drag an empty Effects rack onto the group. Right click and create 2 chains. Keep one chain empty - this will be your dry signal (which retains the transients). Drag some kind of saturation effect onto the other chain and turn the chain volume all the way down. Use a rather extreme setting on the effect. I'd recommend Saturator, Overdrive, Vinyl Distortion, any Bitcrusher, Audio Damage's free RoughRider...CamelCrusher etc. - i.e. anything that brings a some dirt into the mix. I like to just use one plug but I guess you could go crazy and add a bunch. Now slowly dial that chain's volume up until your break starts to fatten up. You should get a nice fat sound without that horrible over-compression that everyone rocks at the mmoment. More like running it through a desk than brickwall limiting the sh*t out of it.
Re: BREAKBEAT production tutorial in ABLETON
Posted: Wed Oct 06, 2010 2:57 pm
by netwarrior
intreresting
you mean - this effect will be applied to both - kick and snare?
and group kick and snare together?
and no compression?
Re: BREAKBEAT production tutorial in ABLETON
Posted: Wed Oct 06, 2010 3:33 pm
by nylarch
You can apply some compression to the group as well - this is more for getting some subtle warming / distortion to the whole drum group.
Re: BREAKBEAT production tutorial in ABLETON
Posted: Thu Oct 07, 2010 5:44 am
by netwarrior
and what about kick layering?
and when i layer kicks how should i eq them after? as i guess they must spike at around 80 HZ in breakbeat music?
and everything lower is for bass??
im speaking of modern nu school breakbeat, with rolling basslines (like in full on trance), NOT that wobble shit

)))))