supster wrote:there are literally thousands of presets out there .. so many, that can be combined in so many infinite combinations ,,,
that nobody - other than the most anal retentive geek locked away in a basement somewhere* .. will ever know or recognize it.
is a guitar or a drumkit or a cello or a flute only good for one song, then we throw it away? no. same instruments, used over and over, to express a song.
only thing that matters is your song, how appropriate the sounds are for that song, and how well they are put together and arranged. how you get them doesnt really matter.
sometimes its the people that spend most of thier time engineering unique sounds from the ground up, that are making the stuff that is the least musical .. imo ...
it was the same thing with guitar players that were obssessed with playing a million notes fast at the expense of any song structure that had any impact. they more were concerned with impressing with technical skill, that they were creating music that worked.
that said - its amazing what you can do with a preset on a synth, a few tweaks on standard controls, some automation, chained through a third party effect (using tweaked presets as well), bounced to audio, then manipulated on the live grid.
you would never know where it came from in a million yearsand if it fits your song perfectly, thats all that matters ...
*oh wait .. thats most of the Live forum .. er ... ok yeah, start with a square wav, route it through a 6 pole filter and devise a recursive arpeggiated onomicron. and thats just for your hihat
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hahahahha n1
nicely put