What to spend $USD 200 on?
-
john gordon
- Posts: 2680
- Joined: Tue Nov 11, 2003 12:24 am
- Location: Delaware
-
djadonis206
- Posts: 6490
- Joined: Thu Jun 17, 2004 4:23 pm
- Location: Seattle, WA.
-
spiderprod
- Posts: 1120
- Joined: Wed Mar 31, 2004 10:11 pm
-
montrealbreaks
- Posts: 995
- Joined: Thu Mar 04, 2004 11:38 pm
- Location: Montreal Canada
Someone said earlier to replace the weakest link in your signal chain.
The difference between a $200 audio interface (Echo Indigo) and a $2000 interface (MOTU Traveler) is there, but minimal compared to the difference between $200 monitors (Tannoy Proto J's) and $2000 monitors (KRKs with a sub) or something similar.
That's why a lot of people say save for good monitors.
But, excellent monitors will not work properly in a poor listening environment. I still say acoustically treat your room - it's the cheapest, most "bang for your buck" improvement you can make to your sound.
The difference between a $200 audio interface (Echo Indigo) and a $2000 interface (MOTU Traveler) is there, but minimal compared to the difference between $200 monitors (Tannoy Proto J's) and $2000 monitors (KRKs with a sub) or something similar.
That's why a lot of people say save for good monitors.
But, excellent monitors will not work properly in a poor listening environment. I still say acoustically treat your room - it's the cheapest, most "bang for your buck" improvement you can make to your sound.
I have changed my username; Now posting as:
M. Bréqs
-
anonymouse
- Posts: 627
- Joined: Sat Aug 14, 2004 2:33 am
I guess you were looking for some evil tip that would recommend you buy the XS3000 groovebox/mixer/synth/sampler from a small company in Czechoslovakia that comes with 4GB ram as standard and the flexibility of Reaktor, Metasynth and a Dave Smith Evolver combined, integrating a beautiful brushed steel interface with 3 joysticks .
But the advice to save up for decent monitor kit is bang on. It will transform your approach to composition.
The only other useful suggestion I would give you is a nice vel-sensitive semi-weighted keyboard. Or perhaps Reaktor 5. Either of these will transform your world dramatically. It depends on whether you are more of a keyboardist or a tweaker.
My original point still holds - less gear is much better. Where you think your set-up is missing something, innovate and use a free alternative. You need something special to make your mark, and there is nothing healthier than lack of funds to drive the artistic beast.
But the advice to save up for decent monitor kit is bang on. It will transform your approach to composition.
The only other useful suggestion I would give you is a nice vel-sensitive semi-weighted keyboard. Or perhaps Reaktor 5. Either of these will transform your world dramatically. It depends on whether you are more of a keyboardist or a tweaker.
My original point still holds - less gear is much better. Where you think your set-up is missing something, innovate and use a free alternative. You need something special to make your mark, and there is nothing healthier than lack of funds to drive the artistic beast.
-
DustCookie
- Posts: 15
- Joined: Mon Jun 13, 2005 1:38 pm
- Location: Toronto
-
Diskclaimer
- Posts: 295
- Joined: Wed Feb 23, 2005 1:59 am
- Location: Danbury, CT
- Contact:
montrealbreaks wrote: But, excellent monitors will not work properly in a poor listening environment. I still say acoustically treat your room - it's the cheapest, most "bang for your buck" improvement you can make to your sound.
100% agree
Macbook Pro C2D2.5 17"/4G/OSX.5.6/Live8.12/Brain/Bla bla bla bla
-
kick_kick_snare
- Posts: 62
- Joined: Fri Apr 01, 2005 10:03 am
- Location: Norwich
buy your self a selection of fine wines and single malt whiskys, either that or just blow the lot on fast women and cheap drugs - sorry, I mean cheap women and fast drugs... erm... no... er...
I mean, yeah, save up for good monitors.
or spend the money on trying to recreate your favourate scene from a film, get all of your friends to watch and then tell you how great you are. or just buy all of your friends a drink.
I know, just walk into a busy bar and shout 'the drinks are on me!' and see what happens.
gamble. put it all on a horse. but don't put it all in a hore.
go to your local thrift store and buy everything.
give it to charity.
take you mum and dad to dinner at a really nice resturant.
spend it on aromatherophy.
spend it on night school and learn french.
Buy you self a set of decent chefs knives.
boots. really nice leather boots.
sponser a class of 9 year olds to go to the circus.
buy loads of rice and vegtables and make the worlds biggest stir fry, then hold a competition to see who can eat the most stirfry in one minute, charge $5 per entry and make some of your money back.
save up and get monitors.
I mean, yeah, save up for good monitors.
or spend the money on trying to recreate your favourate scene from a film, get all of your friends to watch and then tell you how great you are. or just buy all of your friends a drink.
I know, just walk into a busy bar and shout 'the drinks are on me!' and see what happens.
gamble. put it all on a horse. but don't put it all in a hore.
go to your local thrift store and buy everything.
give it to charity.
take you mum and dad to dinner at a really nice resturant.
spend it on aromatherophy.
spend it on night school and learn french.
Buy you self a set of decent chefs knives.
boots. really nice leather boots.
sponser a class of 9 year olds to go to the circus.
buy loads of rice and vegtables and make the worlds biggest stir fry, then hold a competition to see who can eat the most stirfry in one minute, charge $5 per entry and make some of your money back.
save up and get monitors.
I like jam.
Re: ...
Ok, so, Mike, what was your not so good and what did your good end up being?mike holiday wrote:Captain Screwbarb wrote:What's so nice about getting better moniters? Really I don't know.
well there was a mention of needing better monitors but not haveing the cash flow
BTW have you ever upgraded your monitors? going from not so good to good gave me a big
UTENZIL a tool... of the muse.