Hi-hats, Tamborine cannot be heard on Burnt CD
zion 15,
I remember trying to decide wheather to switch to mono, I think I stayed with the default stereo.
But as I say I have a lot of things I am going to try out......but I just wanted to find out if this was a general problem.
zion is a powerful name man, anything to do with Rastafari?
Of course I'm just curious, you realy don't have to answer
I remember trying to decide wheather to switch to mono, I think I stayed with the default stereo.
But as I say I have a lot of things I am going to try out......but I just wanted to find out if this was a general problem.
zion is a powerful name man, anything to do with Rastafari?
Of course I'm just curious, you realy don't have to answer
fe real!
evon,
yep the reason i was asking is that (if you didn't know this already) things will definitely sound a lot different with mono in almost any case (except if you're really making music in mono from the start) and you can lose elements too if there's bad luck - certain stereo things and tricks don't translate to mono that well and might be cancelled out.
you're close with the nick guess but not quite there. as you must know, zion is the "promised land" of rastafari, home, the place where the people get to go and live happily after a hard day at exile.
anyway, i used to have a phase in my life when everything felt good, i had a nice friendly place to work at, had the time and inspiration to make some of the best music i've done so far and so on... i lived at a place that had "15" in the street address, listened to a lot of dub and reggae among all the other music... and suddenly my little home studio i made my music in was called zion 15 and it sort of went on and on. so i'm no rastafari myself but i chose to borrow their word for the ultimate home that i felt i was in back then - both place in the world and the state of mind i was in.
i guess i'd have to change my moniker these days though, since i don't live in the same place anymore, life is not so good and i rarely get any good music done anymore... but so far i'm keeping it as a memory from the good times hoping they'll come back one day.
well, you did ask
yep the reason i was asking is that (if you didn't know this already) things will definitely sound a lot different with mono in almost any case (except if you're really making music in mono from the start) and you can lose elements too if there's bad luck - certain stereo things and tricks don't translate to mono that well and might be cancelled out.
you're close with the nick guess but not quite there. as you must know, zion is the "promised land" of rastafari, home, the place where the people get to go and live happily after a hard day at exile.
anyway, i used to have a phase in my life when everything felt good, i had a nice friendly place to work at, had the time and inspiration to make some of the best music i've done so far and so on... i lived at a place that had "15" in the street address, listened to a lot of dub and reggae among all the other music... and suddenly my little home studio i made my music in was called zion 15 and it sort of went on and on. so i'm no rastafari myself but i chose to borrow their word for the ultimate home that i felt i was in back then - both place in the world and the state of mind i was in.
i guess i'd have to change my moniker these days though, since i don't live in the same place anymore, life is not so good and i rarely get any good music done anymore... but so far i'm keeping it as a memory from the good times hoping they'll come back one day.
well, you did ask
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zion15,
I've been doing some reading and realized that in order to get the higher frequeny sound to come through one needs to set the recording device to the higher frequencies (above 40 KHz). I was burning at 44.1 KHz when I noticed the problem with the hihats not comming through, (but I think I may have recorded at 44KHz.) and because most CD Players do not support higher frequency CD's I did not want to burn them at a higher rate.
But then again I am thinking that I probably need to record at the highest optimum level of frequency, say at least 48 KHz and then burn at lower frequencies consistient with the CD I'm burning to.
Am I making any sense?
Probably somebody with some real knowhow about this type of problem could shed some more light on this.
Anyhow, I appreciate your explaining zion15. Accepted, and good luck
I've been doing some reading and realized that in order to get the higher frequeny sound to come through one needs to set the recording device to the higher frequencies (above 40 KHz). I was burning at 44.1 KHz when I noticed the problem with the hihats not comming through, (but I think I may have recorded at 44KHz.) and because most CD Players do not support higher frequency CD's I did not want to burn them at a higher rate.
But then again I am thinking that I probably need to record at the highest optimum level of frequency, say at least 48 KHz and then burn at lower frequencies consistient with the CD I'm burning to.
Am I making any sense?
Probably somebody with some real knowhow about this type of problem could shed some more light on this.
Anyhow, I appreciate your explaining zion15. Accepted, and good luck
fe real!
Dear Evon,
Probably the best thing to do is to render your tune at 16bit/44.1 KHz stereo then just open up the render in an audio editor or re-import it into a new live set, play it back through your computer.
If you can hear your hi-hats and tambourine then you’ll no that your rendering is OK and the problem is with your CD burning or with the system your playing back the CD’s on.
Probably the best thing to do is to render your tune at 16bit/44.1 KHz stereo then just open up the render in an audio editor or re-import it into a new live set, play it back through your computer.
If you can hear your hi-hats and tambourine then you’ll no that your rendering is OK and the problem is with your CD burning or with the system your playing back the CD’s on.