Essential mixing with Ableton Live. How it all started....
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sweetjesus
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ive tried the kind of choppy lots of little loops mixing style and to be honest i dont really feel it (even when i hear it).
i grew up listening to some really smooth mixing from djs like sasha, oakenfold, nick warren etc with really long well thought out mixes and great grooves with multiple tracks combined and a more progressive style of mixing.
i find this works best in clubs. the choppy thing is awesome for listening at home or in ur ipod, but people in a club have a yearning to get their groove on! .. thats what i find anyways.
i grew up listening to some really smooth mixing from djs like sasha, oakenfold, nick warren etc with really long well thought out mixes and great grooves with multiple tracks combined and a more progressive style of mixing.
i find this works best in clubs. the choppy thing is awesome for listening at home or in ur ipod, but people in a club have a yearning to get their groove on! .. thats what i find anyways.
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Green Lemon
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I think its very much a cultural and technological thing.
The cut mixing style comes from a time when records were not produced expressly to be mixed by a DJ. DJs originally abused the breaks as a sort of sonic collage/found object, and this formed the background to early club mixing techniques as well. It was great, because the dancers could go on longer. Obviously, this was quite an invention of technique as well as dexterity in continuosly juggling two platters to keep a (rather short) break extended.
The long, smooth EDM stuff has a different geneaology, one that developed a few years later as records began to be made in order to be mixed.
I like both styles, I am very impressed by the technical skills of the hip hop side of things. I don't think you can make a case that people don't "get their groove on" to cut mixing as opposed to Sasha and Oakenfeld (of all people!). Really comes down to aesthetic preference, which varies widely by time, place, and individual.
But the invention of mixing, as we know it, certainly came from the cutmix extension of the break.
The cut mixing style comes from a time when records were not produced expressly to be mixed by a DJ. DJs originally abused the breaks as a sort of sonic collage/found object, and this formed the background to early club mixing techniques as well. It was great, because the dancers could go on longer. Obviously, this was quite an invention of technique as well as dexterity in continuosly juggling two platters to keep a (rather short) break extended.
The long, smooth EDM stuff has a different geneaology, one that developed a few years later as records began to be made in order to be mixed.
I like both styles, I am very impressed by the technical skills of the hip hop side of things. I don't think you can make a case that people don't "get their groove on" to cut mixing as opposed to Sasha and Oakenfeld (of all people!). Really comes down to aesthetic preference, which varies widely by time, place, and individual.
But the invention of mixing, as we know it, certainly came from the cutmix extension of the break.
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first 1k as chrysalis33rpm.
first 1k as chrysalis33rpm.
The Godfather of all DJs is Sir Jimmy Savile, who was the first disc jockey to use two turntables for radio broadcasts - during the 1940s. And, while it's true that simple segueing is not the same as mixing, we're talking about an era when there was no such thing as mixing during a recording session.
Edit: (from Wikipedia) "Having started playing records in dance halls in the early 40s, Savile was effectively the first ever DJ; according to his autobiography, the first person to use two turntables and a microphone, which he did at the Grand Records Ball at the Guardbridge Hotel in 1947.[2] Savile is widely acknowledged as being one of the first in England to use twin turntables for continuous play of music, thus pioneering the concept of DJing as we know it today.[3]"
Edit: (from Wikipedia) "Having started playing records in dance halls in the early 40s, Savile was effectively the first ever DJ; according to his autobiography, the first person to use two turntables and a microphone, which he did at the Grand Records Ball at the Guardbridge Hotel in 1947.[2] Savile is widely acknowledged as being one of the first in England to use twin turntables for continuous play of music, thus pioneering the concept of DJing as we know it today.[3]"
Last edited by Ajbbklyn on Thu Feb 12, 2009 8:07 pm, edited 1 time in total.
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Green Lemon
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otnooishphoo
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Funny I thought of Jimmy when reading this thread, good call.Ajbbklyn wrote:The Godfather of all DJs is Sir Jimmy Savile, who was the first disc jockey to use two turntables for radio broadcasts - during the 1940s. And, while it's true that simple segueing is not the same as mixing, we're talking about an era when there was no such thing as mixing during a recording session.
Edit: (from Wikipedia) "Having started playing records in dance halls in the early 40s, Savile was effectively the first ever DJ; according to his autobiography, the first person to use two turntables and a microphone, which he did at the Grand Records Ball at the Guardbridge Hotel in 1947.[2] Savile is widely acknowledged as being one of the first in England to use twin turntables for continuous play of music, thus pioneering the concept of DJing as we know it today.[3]"
Met him several times since the 70's when he used to visit my grandma.
Top man who always has loads of time for Joe Public.
Ahh Bisto
That's a great documentary!eddit wrote:rolfski wrote:Let me correct here something. Folks like Ben Liebrand were not the first ones in real mixing, hell no. They did however take non-live mixing to the next level. That's what made them pioneers.
Check out the DVD scratch, it has some priceless footage from a live performance of brainfreeze, Cut chemist and DJ shadow.
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tw1nstates
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You guys familiar with the work of Keith Haring, a painter who chronicled (in addition to other things) the development of bboy culture out of capoeira, djs, and discos?

[/quote]
Keith Haring,
Biter of Jelly Babies

[/quote]Keith Haring,
Biter of Jelly Babies
I slipped into a daze, whilst I was there I heard the most startling music, it was at once familiar and alien, reassuring and unsettling.
https://soundcloud.com/fearoftherave
https://soundcloud.com/fearoftherave
http://soundcloud.com/aislingbeing
Live, Reason, Moog sub phatty, Moog sub 37, Ozone 6, guitars, Pedals, proper ergonomic sitting posture, french pressed coffee with a pinch of cardamon.
Live, Reason, Moog sub phatty, Moog sub 37, Ozone 6, guitars, Pedals, proper ergonomic sitting posture, french pressed coffee with a pinch of cardamon.