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Posted: Fri Jan 11, 2008 6:22 am
by sparklepuff
I saw him wearing a trench at this wetball tournament. Lots of wet balls.
Posted: Fri Jan 11, 2008 9:47 am
by mosca
i used to work beside Sheena Easton's first husband
he was a very bitter man (she'd become famous and dumped him)
happy days!
Posted: Fri Jan 11, 2008 10:06 am
by peeddrroo
mosca wrote:i used to work beside Sheena Easton's first husband
he was a very bitter man (she'd become famous and dumped him)
ok, but was he a PRO?
Posted: Fri Jan 11, 2008 10:10 am
by timothyallan
Yeah, don't forget that this is a PRO only thread.
Anywhoo, I'm off to do some parallel new york compression on my hi hat line after reducing it to 8 bit because I heard thats what pro's do to make their shit tight.
Posted: Fri Jan 11, 2008 10:16 am
by peeddrroo
timothyallan wrote:Yeah, don't forget that this is a PRO only thread.
Anywhoo, I'm off to do some parallel new york compression on my hi hat line after reducing it to 8 bit because I heard thats what pro's do to make their shit tight.
I do not know if this is a joke or not. 99% of vst compressors do not even reach new york so to anyone that advised you to compress your hi hat down to there is very wrong. parallel new york compression is barely felt yet even heard by any human ear and is something that should be avoided on any record rock or techno.
(no offense Olga, i'm joking)
Posted: Fri Jan 11, 2008 10:37 am
by mosca
sorry, he was not a then nor is he now a PRO
*leaves thread*
Posted: Fri Jan 11, 2008 11:03 am
by beatpoet
suspended childhood wrote:
shes my friend on myspace.
Oh, you're
that close,
what's she like in bed then ?
Posted: Fri Jan 11, 2008 11:06 am
by Timur
Erm, PRO what? I mean, you can be CONTRA anything and everything, but PRO?!
Posted: Fri Jan 11, 2008 11:13 am
by Timur
Actually that Sheena Easton is quite a funny and cool person as it seems:
http://www.youtube.com/watch?v=vMNzJuCf ... re=related
Posted: Fri Jan 11, 2008 11:38 am
by timothyallan
peeddrroo wrote:I do not know if this is a joke or not. 99% of vst compressors do not even reach new york so to anyone that advised you to compress your hi hat down to there is very wrong.
HAHAHAHAHA Look who's not a pro. if you WERE a pro, you'd know that's why they call it Parallel New York Compression... it doesn't HAVE go to new york! It goes to areas which are parallel to it! Please can some PRO's answer my question??
I've got to go mic a bass amp and run my vengeance drum loop thru it, record it with a dictaphone, then bring it back into my liquid mix vintage compressor and run it into a mackie VLZ send/return. I was told by a pro that this will def give my drums some body and a truly analogue feel.
Posted: Fri Jan 11, 2008 11:43 am
by Timur
No, you need to place your belly or buttock in between the amp and the mic to get some body on your recordings. Whatever PRO has given you the hint must be some skinny wannabe who doesn't even manage to kill more than one bag of chips per week. How is he gonna know the difference between digital and analog if he doesn't eat chips?
Posted: Fri Jan 11, 2008 12:59 pm
by popslut
Olga wrote:
I do not know if this is a joke or not.
Evidently.
Posted: Fri Jan 11, 2008 2:36 pm
by beats me
With Strut, Sheena showed a more aggressive and assertive side while still maintaining a raw sex appeal.
http://www.youtube.com/watch?v=FzgPot4XvAk
Sheena Easton. Strut. 9 -5 (Morning Train). And Sugar Walls. Goddess.
Posted: Fri Jan 11, 2008 2:48 pm
by aniajudie
In Reason you can make a "pro" sound if you know how to engineer and program and work with sounds. I think almost all DAW can sound "Pro" from Fruity Loops - Logic to Live....
It is all up to you and your ears, these are just the tools to work by. Live alone is enough to make and bounce to cd and to the production line.
Posted: Fri Jan 11, 2008 2:52 pm
by evon
Only Pro's could be witty and creative as you guys...I am realy enjoying this post...does this observation qualify me as a pro?