myrnova wrote:Actually Stringtapper, you are just feeding the trolls (H20nly, crofter etc.) so that you can elude my question.
Sorry but I'm NOT the one who eludes questions here. I just posted a question from TWO YEARS AGO in that other thread that you NEVER ANSWERED.
So don't talk shit about other people eluding questions.
myrnova wrote:In other words: this is the main difference I can notice between americans here and europeans: americans consider music "the resulting sound" (in italian: "arrangiamento". It's how you "dress" a piece of music). In Europe, on the contrary, music is more "the melodic/harmonic concept", BEFORE the sound (because music is NOT the sound or "music played": this is the american "music is sound" concept, as far as I can see, right?).
As I have already demonstrated countless times with historical evidence, this is NOT an American/European dichotomy. The ideas formed in France and Germany and continue to persist in Europe. Period.
You seem to think that because you're talking to a few Americans on this board that that then means that all Americans and ONLY Americans have this view of music. It is demonstratbly not true and I have proved it over and over. You just keep ignoring it.
myrnova wrote:That is why, for instance, I don't consider a "cover" song "a different piece of music" only because it is played in different style, or with different instruments, with rhytmic elements added, in a different pitch etc. It remains "that" piece of music (because of its structure, which is before the sound) In America you call different song covers (of the same original song) "different music" just because they sound different, played with different instruments etc.?
This you are completely pulling out of your ass. No one here but you has claimed that anyone, American, European or otherwise believes that different performances of the same piece constitute different pieces.
I say again: no one here but you has made such an assertion.