And color really does help in organization. I'm curious if people will find a way to exploit it for midi controlling (Ableton script??).
One fun thing to do with it is, use it as a live instant sampler
"And, yes, color on the pads responds to MIDI. That means unique custom templates for tools like Ableton Live or Renoise could be in store."yur2die4 wrote:And color really does help in organization. I'm curious if people will find a way to exploit it for midi controlling (Ableton script??).
Huh? What makes you think the new MPC "has a slight edge on software"? I haven't seen anything that would suggest that. And we're talking about a product that has yet to be released to the public. Just the fact that they made their controller to be a huge dongle so that the software won't even run without the controller being attached is a huge fail IMO.yur2die4 wrote:Despite my excitement for this, I've gotta say, the new MPC looks very competitive. When you consider that it has a slight edge on software, a major edge as a durable and more featured midi controller, plus a full on edge with having a built in audio interface. The price comparisons seem pretty close.
I guess the Ren has started shipping now too.
"Plastic constructionyur2die4 wrote:a major edge as a durable and more featured midi controller
I don't see that as any kind of edge at all. I prefer to have a good dedicated audio interface. No need for a crappy integrated device, especially based on Akai's existing products.yur2die4 wrote:plus a full on edge with having a built in audio interface.
Which is not saying much considering MPCs are well known to have build issues like pads and screens dying, and especially the tact switches for buttons which are notorious for breaking. They apparently used the same exact tact switches for the new MPControllers.yur2die4 wrote:The MPC controller may be plastic, but it's buttons and knobs have the build of most of Akai's other gear.
Except that the size of the MPC Renaissance controller would make it not very portable at all regardless of whether it has a built-in soundcard or not.yur2die4 wrote:Built in audio interface. In the sense of portability and plugs, it means one less thing you have to plug in/carry/set up.
Damn, they look so much better in these pics compared to the guitar center 3D mockups:delicioso wrote:"And, yes, color on the pads responds to MIDI. That means unique custom templates for tools like Ableton Live or Renoise could be in store."yur2die4 wrote:And color really does help in organization. I'm curious if people will find a way to exploit it for midi controlling (Ableton script??).
http://createdigitalmusic.com/2012/08/m ... e-gallery/






"Maschine has become one of the central products in the NI portfolio in record time, it has one of the biggest team of developers, designers and product managers behind it and a comprehensive roadmap ahead of it. The notion that it could be considered for discontinuation is just completely nonsensical.convex wrote: I've been using one since it came out, and now I'm wondering how long it will be before they kill it off. Can't tell if this bid for wider appeal with the pretty colors and bling is good because it will broaden the user base and maybe keep the product alive longer. Or if this is a mad grab for cash while they finalize development of the next hardware/software combo instrument that replaces Maschine.
Kore had about five years across two versions. Will Maschine make it another two to match that?