Well, it's much to late to avoid being a troll here, but I'll bite. I guess my message (not the last thing, it was directed at one post in the thread, shouldn't have pluralized the one word) wasn't conveyed properly. There was a positive message hidden in there.
My point, is that Live does what it does pretty well. Version 2 I think advances the product light years. The only reason I brought in the non-music related subject was that there's a million ways to accomplish a task. Live is one method for accomplishing a task.
Should Live not behave as you like it, try something else. Don't let the limitations of hardware and software hold you back. While Live is a tool that allows for spontanous sonic scribblings, and a software or hardware limitation might be holding you back from doing something mid-set, remember that moment. Use the idea later.
While in my opinion, this product does miracles, the real miracle is always your imagination. It's hard to avoid the cliche here, but think outside the box.
Now, you're left with two options.
1. Use Live, use other tools at your disposal, make something to be proud of.
2. Rip peices from box and manual, flush, repeat.
I do see the flaws in my logic.
We're paying a substantial amount of money for this product. We should have it do whatever we want. More importantly, it should do as advertised. Add in the cost of a $3000 laptop, a studios worth of audio software and it adds up quick. People rely on this for a living. FRUSTRATION!
It's something I'm willing to live with. Ableton is trying, I'm trying, everyone is trying their best. I've had my own hard times with this company, mainly getting any support, but it's not something to get totally bent about.
Seven words:
Don't be a tool, be the tool.
And my sincerest apologies to anyone I may have offended.
- Mike