Post
by Machinate » Mon Jul 04, 2005 9:57 am
I definitely see both sides here. YES fm7 can do some amazing shit, YES so can absynth - bot honestly, they only come to life once you've been working on the patch for at least 20 minutes.
To me, operator is all about the interface - and I suspect Robert Henke would say the same thing. And part of that interface is the tight integration with live, and especially with live5 - clip envs, device chains... all that. Since Op is so integrated into live now, why *should* we judge it for instance on the amount of operators? If you ever do a synth patch with 8 operators that rocks my world, I'd love to hear it!
I don't own operator - hell, I think it's too expensive! - but I do think the sound is awesome. It's the easiest fm synth I've ever programmed, and the ability to save clips with device chains in live5 blows NI envelopes out of the water!
It's weird, I used to be an absynth freak. Soo light on the cpu, and yet so deep. But honestly, I just can't be bothered anymore, the interface just doesn't cut it. It took NI a couple of years to come up with a decent way to scroll through the envelopes! Meanwhile I'm coming up with weird granular patches - for SIMPLER!
ehmm... apples and oranges, I guess.
mbp 2.66, osx 10.6.8, 8GB ram.