Re: The official day the fun died!
Posted: Tue Jul 06, 2021 4:23 am
IMO, and of course I mean that, I don't expect any of you to understand or agree, it was better as a free for all. It showed a great respect for just what different type of humans artists are, and how most of the time the forum could self moderate, total tyrants and anti social personality types could be self moderated out by the group. The most egregious were forcibly removed of course.
It's a white wash now, we're not going to a show or to a club, we're going to work here. This is fundamentally the difference, everyone agrees to behave at work, we all tone it down, no talk of the big subjects that shape our world anymore, no religion, politics, sex, philosophy, nothing of any substance, except technical details about Live. Beyond the beat and melody, music is about humans and humans are messy. Plus I agreed with the sentiment stated about the forums, Germany had been through two types of totalitarian regimes, and censorship is always the last resort.
I 100% get that Ableton must've constantly received flack for allowing it, and I admired them immensely for letting it go on for as long as it did, but I have to say, the change soured me a bit. Live has steadily increased to Suite being $750, one of the most expensive DAWs. It's more complicated than when I bought it with no Suite option, for sure, but it was around $300 then. The marketing is focused now, it's all upscale home studios, everyone in the ads looks like they work in IT, which is undoubtably a huge portion of their audience, but it's not me. I have no interest in building a modular synth in Max, the idea of having to code my own SysEx catcher in Max sounds as much fun as pulling teeth out of my mouth with pliers. The direction is towards millennials with code jobs who like the UX and if they need to can code the more complex parts in Max.
That said, Live 11 looks great, I'm holding off for the sale, and hopefully a more stable external audio sync implementation. I get it, but I'm pouring Milwaukees Best Ice, dropping some suspect looking baggie onto the grave of the more "bad part of town" forums that lived in this house.
It's a white wash now, we're not going to a show or to a club, we're going to work here. This is fundamentally the difference, everyone agrees to behave at work, we all tone it down, no talk of the big subjects that shape our world anymore, no religion, politics, sex, philosophy, nothing of any substance, except technical details about Live. Beyond the beat and melody, music is about humans and humans are messy. Plus I agreed with the sentiment stated about the forums, Germany had been through two types of totalitarian regimes, and censorship is always the last resort.
I 100% get that Ableton must've constantly received flack for allowing it, and I admired them immensely for letting it go on for as long as it did, but I have to say, the change soured me a bit. Live has steadily increased to Suite being $750, one of the most expensive DAWs. It's more complicated than when I bought it with no Suite option, for sure, but it was around $300 then. The marketing is focused now, it's all upscale home studios, everyone in the ads looks like they work in IT, which is undoubtably a huge portion of their audience, but it's not me. I have no interest in building a modular synth in Max, the idea of having to code my own SysEx catcher in Max sounds as much fun as pulling teeth out of my mouth with pliers. The direction is towards millennials with code jobs who like the UX and if they need to can code the more complex parts in Max.
That said, Live 11 looks great, I'm holding off for the sale, and hopefully a more stable external audio sync implementation. I get it, but I'm pouring Milwaukees Best Ice, dropping some suspect looking baggie onto the grave of the more "bad part of town" forums that lived in this house.