which drum machine?
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djastroboy
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Actually, more then half of the names on that short list are musicians. I would also have to agree sure, Korg knows that people who are buying an electribe are not neccessarily the same type of musician who understands the left handed suzuki method... but it's an instrument one and the same.rikhyray wrote:Thanks, now understood. Since I hardly new most of these names quick search shows that they are mostly DJs turned producers not musicians, that makes sense, MX was aimed at people who cant play any instrument yet have lots of ideas and club experience, knowing what audience wants etc etc.
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Mike Goodwin
- Posts: 1119
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I bet I knew you on the xl-7 board. I was mikexl7 in that forum. I was in there all the time. In fact that was the forum that got me into forums. I still own my xl7 it is the second last sound module that I own. The only other thing I have kept is my Nord Lead2. Just wanted to say hi.Tarekith wrote: The XX-7's are nice midi controllers, only downside being that they don't have a 'snap' mode. So everytime you change virtual instruments of banks on the XX-7, the knobs no longer reflect the current values they are mapped to. Common issue with non-rendless rotaries though.
As for the xl7 the lack of the snap feature hurt that box in a big way. I almost never use it. If I ever needed a HUGE bad again I would boot it up. But I prefer programing my sounds on the computer.
Peace
Yeah you were... I got my XL-7 back around '02 and it was always you, realm and Aaron E. back and forth...I was mikexl7 in that forum. I was in there all the time.
Although, thanks to you guys, I know my XL pretty much inside out.
I didn't post much back then, but I did get my name in the Command Station FAQs a couple of times with some tips... Hell, fuckin' preset patchcords still give me nightmares...
Yeah, the lack of encoder knobs on the CS series is definately one of it's downfalls, but I don't think I could ever give it up. Hell, I'm even thinking about picking up a PX-7 and using the XL for spare parts...
Or I guess I could get a second mortgage and go MachineDrum...
excellent advice, the micro modular sounds EXCELLENT, with a simple controller, such as 16 knobs or 16 faders at least, and you've got a killer set-up for cheap. use a cpu to help you create your drum machines/patches and save them as presets on the modular, now you can abandon the cpu if you want and just use your 16 knobs or faders for sequencing, and any other controllers you can get for other parameters. such as morph control, which is way kool.Lo-Fi Massahkah wrote:IOr get a Clavia Micro Modular and build you custom modular drum synth!
i got my micro modular on ebay for 200 euro, leaving you 300 euro to spend on an 'interface' - so for 500 total you could have dedicated drum machine (of sorts) tailor made to your tastes in interface at least. Not to mention the huuuuuuuuuuuge amount of modular patches available, waiting to be molded into your own drum machine creations.
I use a couple of fader foxes for live, I think I'll get to work on making them interface a modular patch.....
Yeah man, I was rEalm back then, so if you were on the XL-7 list, I'm sure oyu knew meMike Goodwin wrote: I bet I knew you on the xl-7 board.
Peace
tarekith
https://tarekith.com
https://tarekith.com
i'd say your best bet is to work your way up to a mchine drum through some cheaper options first...buy stuff used off ebay, play with it for a month or two, and if you don't like it resell it and trade up to the next thing on your list.
i think a micro modular is an awesome idea...if you don't need sampled drums. they're affordable and ridiculously flexible. but then for it to function as a full on drum machine it can't be considered stand alone.
i also have an esx1 and emx1...these things are really fun and dead easy to get great sound from. but they are not particularly flexible. don't believe people who say they aren't for professionals (ahem!). i am one and these things get used all the time. plus they're cheap as dirt for what they do.
next step up is an mpc...but these are definitely more for sampling and recording drum pad performance. pretty unneccessary if you just want to step sequence synthetic drums.
just take some time and step up through the list...its the best way to find what you like best. hell, for the price of a machine drum you could get an mpc, micromodular and emx1! if in a few months you don't like them, resell and grab the machine drum. you've only lost a few bucks to ebay fees and depreciation (consider it a rental fee), and you never hav to wonder again if you made the right choice.
i think a micro modular is an awesome idea...if you don't need sampled drums. they're affordable and ridiculously flexible. but then for it to function as a full on drum machine it can't be considered stand alone.
i also have an esx1 and emx1...these things are really fun and dead easy to get great sound from. but they are not particularly flexible. don't believe people who say they aren't for professionals (ahem!). i am one and these things get used all the time. plus they're cheap as dirt for what they do.
next step up is an mpc...but these are definitely more for sampling and recording drum pad performance. pretty unneccessary if you just want to step sequence synthetic drums.
just take some time and step up through the list...its the best way to find what you like best. hell, for the price of a machine drum you could get an mpc, micromodular and emx1! if in a few months you don't like them, resell and grab the machine drum. you've only lost a few bucks to ebay fees and depreciation (consider it a rental fee), and you never hav to wonder again if you made the right choice.
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err_fatale
- Posts: 326
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Mike Goodwin
- Posts: 1119
- Joined: Tue Nov 22, 2005 6:29 pm
XL7 forum big it upTarekith wrote:Yeah man, I was rEalm back then, so if you were on the XL-7 list, I'm sure oyu knew meMike Goodwin wrote: I bet I knew you on the xl-7 board.
Peace
lol small world. I started the forum for sound design with the emu synths. I opened it up to all types of sound creation. The group never got going though. I think it is still there. And a big hello to joesapo, nice to know that our constant posting helped.
theque wrote:
soundwise for techno / house / breaks i say JOMOX
i have the mkI, love it and use it for pretty much all my drum programming, the sounds are OK-ish but not the most exciting ones in the long run, i found. but it's incredible nice for creating midi beats with a hell lot of human groove.also any thoughts on the Korg Electribe•R mkII
soundwise for techno / house / breaks i say JOMOX
I used MX till last night, it is good but has its limits,sound, programming, no velocities. and does not integrate well with Live or any other software. It is great for the money, specially for live use but I need more.
I followed this thread, seriously considered MPC 1000 but I will get new 808 - seems to have tons of features - demo impressed me. Will report once I get it - day after since Monday is holiday in Germany.
I followed this thread, seriously considered MPC 1000 but I will get new 808 - seems to have tons of features - demo impressed me. Will report once I get it - day after since Monday is holiday in Germany.
Autechre? Richie Hawtin? New Order? where the hell did you get this list from? i've never heard of these guys using any Korg Electribes. wtf?thelike5 wrote:
I am really curious about "everyone who is everyone" could you throw some names.
Steve Bug, Luciano, Ricardo Villalobos, Autechre, John Tejada, Andrew Weatherall, Richie Hawtin, Bright Eyes, New Order to name just a few. As this list points out, the EMX1 is used by such a wide ranging palette of artists which highlights the fact that you can really tweak this machine to produce all sorts of sounds suitable for a lot of different genres of music.
Nord G2, E-mu e4X
Live, Reaktor, etc.
Live, Reaktor, etc.
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noisetonepause
- Posts: 4938
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I gave MX serious try meanwhile, because I like it so much, programmed lots with it and... no way , while it is fun and I used it live and for some quick buck "productions" where quality/ time is not really paid ( dance/exercise music) but spent more then enough time to realise you cant get professional results due to sound limitations, despite many "options" in the end it is all "almost"jbuonacc wrote:Autechre? Richie Hawtin? New Order? where the hell did you get this list from? i've never heard of these guys using any Korg Electribes. wtf?thelike5 wrote:
I am really curious about "everyone who is everyone" could you throw some names.
Steve Bug, Luciano, Ricardo Villalobos, Autechre, John Tejada, Andrew Weatherall, Richie Hawtin, Bright Eyes, New Order to name just a few. As this list points out, the EMX1 is used by such a wide ranging palette of artists which highlights the fact that you can really tweak this machine to produce all sorts of sounds suitable for a lot of different genres of music.
If I had a child would keep it but since i dont it is on Ebay.
I wont even bother to sample, archive or whatever my works with MX.
Cannot see why anyone would even boither to sample it, there are 1001 more interesting sounds around.
however it is very nice box for DJ with limited knowledge of music or hobby musician
