Pads, pads, pads. Intrincate, deep. What are you using?
I'm using D'cota and Hypesonic. Hypersonic has a ton of other instrumentation but I like it quite a bit.
looking at reaktor soon.
looking at reaktor soon.
.asus cetrino lappy 2.0Ghz 2x7200 internal drives, 2GR
.carillion desktop AC-1 P4 1.86, 786RAM
.live 5, wavelab, cubase, reason, waves
.fender, gibson and danelectro guitars
.keybaords and other things electronic
.carillion desktop AC-1 P4 1.86, 786RAM
.live 5, wavelab, cubase, reason, waves
.fender, gibson and danelectro guitars
.keybaords and other things electronic
HG Fortune STS-24. Its a synth edit creation but dont hold that against it. It creates some great evolving dark and droney pads
http://www.kvraudio.com/get/1597.html
http://www.kvraudio.com/get/1597.html
Those all are beauties. Atmosphere would be better, if you could tweak the presets a little.
I would vote for Nebula M42 and Absynth. Very nice evolving pads, with a lot of modulation options.
VyrSyn Cube and Tera are also fine. And Rhino...
For me, it's how much you can tweak. I luv to filter a part of a pad on my eletro harmonix bass synth, to get a harsh, subby sound. The old battle man x presets...
best,
Sub
I would vote for Nebula M42 and Absynth. Very nice evolving pads, with a lot of modulation options.
VyrSyn Cube and Tera are also fine. And Rhino...
For me, it's how much you can tweak. I luv to filter a part of a pad on my eletro harmonix bass synth, to get a harsh, subby sound. The old battle man x presets...
best,
Sub
http://soundcloud.com/coelho
Dave Smith Prophet 08 SE, Genelecs, RME Multiface, Faderfoxes, Doepfer Drehbank, Padkontrol, DIY Footcontroller, Electro Harmonix Pedals.
Dave Smith Prophet 08 SE, Genelecs, RME Multiface, Faderfoxes, Doepfer Drehbank, Padkontrol, DIY Footcontroller, Electro Harmonix Pedals.
Resonators
I'm addicted to using the Resonators plugin for pad/string sounds. I feed it pretty much any continuous noise, set it to 100% wet, and automate the pitches (often using envelopes of different length for weird chord progressions.)
Alternately, an 808 kick -> filter delay -> resonators -> reverb sounds sick (more of a plucked-string than bowed-string sound.)
There's a bit of a learning curve writing chords/melodies via envelopes, but the huge advantage is that you can do per-voice glissandos, as well as pitching all of the voices via the "I Note" controller. I wish there were more software instruments that worked this way.
Used this approach a lot in this set: http://rodlogic.com/audio/cne_phoenixfest_2005.mp3
Alternately, an 808 kick -> filter delay -> resonators -> reverb sounds sick (more of a plucked-string than bowed-string sound.)
There's a bit of a learning curve writing chords/melodies via envelopes, but the huge advantage is that you can do per-voice glissandos, as well as pitching all of the voices via the "I Note" controller. I wish there were more software instruments that worked this way.
Used this approach a lot in this set: http://rodlogic.com/audio/cne_phoenixfest_2005.mp3