Hmmm, good point there if you look at it that way - I really meant upgrade in the terms of price difference though mainly.icedsushi wrote:Why do you consider the Fantom an upgrade? Aren't you going to miss the JV's sounds?tanawana wrote:I upgraded to a Roland Fantom so I'm sellin' my JV-1080
Or is it that you're looking for more "modern" sounds?
Old rackmount sound module recommendations please
So what do you mean by price difference? Because it costs more, it must be an upgrade?!tanawana wrote:Hmmm, good point there if you look at it that way - I really meant upgrade in the terms of price difference though mainly.icedsushi wrote:Why do you consider the Fantom an upgrade? Aren't you going to miss the JV's sounds?tanawana wrote:I upgraded to a Roland Fantom so I'm sellin' my JV-1080
Or is it that you're looking for more "modern" sounds?
Cool, yeah in my research I've been finding it's a true classic piece. I guess the discussion is that people seem to be divided down the middle whether the xv, fantom, etc are an "upgrade" from the jv. In other words, basically the same thing but with more features and additional sounds...ChiDJ wrote:+1 for 1080. = Bread and Butta.
You have no idea how many hits use that box.
Without having experience playing the jv yet and knowing the quality of roland's (sampling) gear, post D-50, my instincts tells me that the answer to that is a resounding "no".
Damn, I should have sent things out for a proof edit first.icedsushi wrote:So what do you mean by price difference? Because it costs more, it must be an upgrade?!tanawana wrote:Hmmm, good point there if you look at it that way - I really meant upgrade in the terms of price difference though mainly.icedsushi wrote: Why do you consider the Fantom an upgrade? Aren't you going to miss the JV's sounds?
Or is it that you're looking for more "modern" sounds?
I didn't give it much more thought. It was just a quick reply with a quick comment about selling my other Roland. Obviously they are both great pieces with separate strong and weak points. It was an afterthought mentioning being an upgrade due to the price difference. I suppose I can go back and edit to put anyone's mind at rest.
Last edited by tanawana on Thu Sep 20, 2007 6:42 pm, edited 1 time in total.
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noisetonepause
- Posts: 4938
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- Location: Sticks and stones
http://www.ableton.com/pages/sampler/sh ... ltisamplericedsushi wrote:No I haven't. I'll check it out. But I got a dumb question.
I've never understood...How do you use soundfonts?
Suit #1: I mean, have you got any insight as to why a bright boy like this would jeopardize the lives of millions?
Suit #2: No, sir, he says he does this sort of thing for fun.
Suit #2: No, sir, he says he does this sort of thing for fun.
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leisuremuffin
- Posts: 4721
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- Location: New Jersey
icedsushi wrote:Nice. Thanks for the tip! I'm still on Live 5. Another reason to start using 6 with sampler.
You can use soundfonts right now with the apple dls music device. It comes with every mac.
have a look here:
http://www.ableton.com/forum/viewtopic. ... sc&start=0
.lm.
TimeableFloat ???S?e?n?d?I?n?f?o
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noisetonepause
- Posts: 4938
- Joined: Sat Dec 28, 2002 3:38 pm
- Location: Sticks and stones
Nice one, never knew that.leisuremuffin wrote:icedsushi wrote:Nice. Thanks for the tip! I'm still on Live 5. Another reason to start using 6 with sampler.
You can use soundfonts right now with the apple dls music device. It comes with every mac.
have a look here:
http://www.ableton.com/forum/viewtopic. ... sc&start=0
.lm.
The bundled Apple AUs really should be considered more of a feature of OS X, they don't seem to get a lot of attention...
Suit #1: I mean, have you got any insight as to why a bright boy like this would jeopardize the lives of millions?
Suit #2: No, sir, he says he does this sort of thing for fun.
Suit #2: No, sir, he says he does this sort of thing for fun.
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leedsquietman
- Posts: 6659
- Joined: Sun Nov 19, 2006 1:56 am
- Location: greater toronto area
If you're looking for 80's sounding pseudo synths, use 80's sound modules
Great ones are
Yamaha TG77 - rackmount SY77, a killer synth that took the best of the FM and AWM synthesis and combined it with decent MIDI capabilities for the time and a reasonable GUI (definately easier to program for FM than a DX7)
Korg M1r - rackmount of the best selling synth of all time, as used in almost every recording ever from 1988 - 1993. Plus the M1 piano was THE piano sound for house throughout this period (this doesn't mean good sound, just the de facto fake piano of the era)
Roland D550 - rackmount D50
Roland MKS-70 - rackmount Jupiter 10, great MIDI features for the time, not the easiest to program but capable of great Juno/Jupiter analog sounds
TX81z - DX7 sound module, cheap as chips on ebay, limited range of FM sounds but definately some classics that are recognizable from the 1984-1988 pre Korg M1 era.
Great ones are
Yamaha TG77 - rackmount SY77, a killer synth that took the best of the FM and AWM synthesis and combined it with decent MIDI capabilities for the time and a reasonable GUI (definately easier to program for FM than a DX7)
Korg M1r - rackmount of the best selling synth of all time, as used in almost every recording ever from 1988 - 1993. Plus the M1 piano was THE piano sound for house throughout this period (this doesn't mean good sound, just the de facto fake piano of the era)
Roland D550 - rackmount D50
Roland MKS-70 - rackmount Jupiter 10, great MIDI features for the time, not the easiest to program but capable of great Juno/Jupiter analog sounds
TX81z - DX7 sound module, cheap as chips on ebay, limited range of FM sounds but definately some classics that are recognizable from the 1984-1988 pre Korg M1 era.
http://soundcloud.com/umbriel-rising http://www.myspace.com/leedsquietmandemos Live 7.0.18 SUITE, Cubase 5.5.2], Soundforge 9, Dell XPS M1530, 2.2 Ghz C2D, 4GB, Vista Ult SP2, legit plugins a plenty, Alesis IO14.
