Posted: Thu Dec 11, 2008 6:53 pm
Well then does some company make a MIDI reverb that can go in front?nebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
Well then does some company make a MIDI reverb that can go in front?nebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
n00b, he meant a midi reverbnebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
When I (and Chuck Norris) clap with 1 hand, it does indeed make a noise.ChiDJ wrote:Dude??
A reverb is a "space". The space, by itself does not make a noize. It reflects a noize.
"If a tree fell in the woods........."
I'd put some reverb on it, or maybe before the tree falls.ChiDJ wrote: "If a tree fell in the woods........."
Toney,???Tone Deft wrote:dust.
wind.
dude.
I recently made an FM bass patch in Operator that has a distinctly "woody" tone...does that count?sparklepuff wrote:Mr. Sprocket is onto something, lost as he is. Has anybody made an impulse response of a 'tree falling in the woods' for convolution reverbs? That would be pretty great.
Grappadura wrote:I´ve listened to your songs and noticed that you are a master of reverberationpolyslax wrote:A lot of good points stated above. I normally only use a single instance of reverb as a send/return effect, adjusting send levels to alter the depth position of individual tracks/instruments. Using one setting or IR like this also brings the elusive glue that puts all your tracks/instruments in a single space. The old rule of thumb that you bring up the send on a track until you notice the space, then back it off a bit works well. Even in a mix where you don't want obvious reverb or a big space, a tight ambience of say .5 to 1.5 seconds can work wonders to make everything gel.
If I use any reverb on bass or kick drum it would be just a touch.
Remember if you're using reverb as a send/return effect the reverb wet/dry mix should be set to 100% wet, whereas when you use it as an insert effect wet/dry should be perhaps around 50% wet., I actually wondered if you were going to post about it. Could you tell me what reverb and what settings do you normally use?
What kind of reverb do you use for general ambiance? Would you ever want to use a plate for this?polyslax wrote: I'm using Altiverb for reverb. I like all kinds of spaces depending on the track, but most often I'd go for a plate, a small room or a recording room from a studio. Some of the outdoor ones are very nice, and of course when you want to go big the churches and cathedrals kill.
