http://www.ableton.com/live-8-upgradeslooprication wrote:Where did you see information on a Live 8 upgrade?Sibanger wrote:It's gotta be free, considering the high price of the Live 8 upgrade.
I'm actually still on 6, version 7 didn't seem to have enough features to warrant an upgrade... 8 is a *much* different story.
Cheers,
-ix
Price for MFL?????
MFL is a good buy only for people who have experience in algorithmic approach to music making, with good knowledge of physics of sound etc. Software like Max and Pure Data have steep learning curves that will take a regular musicians out of their way for months. People should really think twice before investing in MFL, no matter how much it costs.
Computer: MBP M1Pro 32GB 1TB, MixPre 6 MKII
Hardware: Syntrx II, Matriarch, Hydrasynth, Minifreak, Nord Drum 2, Modular (mainly Make Noise)
Controllers: Push 3, Launchpad Mk3, Launch Control, Sensel Morph, PC4, Nanokontrol
Hardware: Syntrx II, Matriarch, Hydrasynth, Minifreak, Nord Drum 2, Modular (mainly Make Noise)
Controllers: Push 3, Launchpad Mk3, Launch Control, Sensel Morph, PC4, Nanokontrol
Yeah, I think if it's expensive, there will be a lot of people asking for "MFL Runtime".Korhan wrote:MFL is a good buy only for people who have experience in algorithmic approach to music making, with good knowledge of physics of sound etc. Software like Max and Pure Data have steep learning curves that will take a regular musicians out of their way for months. People should really think twice before investing in MFL, no matter how much it costs.
-
bendybones
- Posts: 355
- Joined: Thu Jun 29, 2006 12:43 am
- Location: Galway, Ireland
i would say that aside from Orchestral Instrument Collection @ $600, everything except Live itself is in the 149 price range.lola wrote:Most stuff in the 149 range, are tools developed by the ablteton team itself right?
So this time i would not be surprised that the price would be a little higher as "normal"
What the price would be exactly?..hell..i dunno
That includes all the AAS and chocolate Audio collabs.
Not too convinced by this point.Korhan wrote:MFL is a good buy only for people who have experience in algorithmic approach to music making, with good knowledge of physics of sound etc. Software like Max and Pure Data have steep learning curves that will take a regular musicians out of their way for months. People should really think twice before investing in MFL, no matter how much it costs.
If it's a decent price like the rest of the Abe stuff, peeps will buy it to get access to other people's creations.
And more importantly I think the fact that it comes with reconfigurable examples and there will be loads of tutorials makes it alot easier yo dive into that Max proper.
My 2c
Korhan wrote:MFL is a good buy only for people who have experience in algorithmic approach to music making, with good knowledge of physics of sound etc. Software like Max and Pure Data have steep learning curves that will take a regular musicians out of their way for months. People should really think twice before investing in MFL, no matter how much it costs.
Well, you've forgotten the fact that regular guys like me wont be able to use all of the neat stuff those super smart people will be inventing, the MFL step sequencer for the APC 40 for example, unless we buy MFL.
So, for that reason alone MFL looks appealing to a regular Joe like myself, as long as the price is right of course. $400-$500 price range and I wont consider it. $150-$200, sure I'll think about it.
And down the road, who knows, maybe I will get the urge to learn how to invent my own cool thing.
-
looprication
- Posts: 93
- Joined: Fri Mar 30, 2007 5:57 pm
- Location: San Diego, CA
- Contact:
OK, it's loop again, I guess I have two accountsSibanger wrote:
http://www.ableton.com/live-8-upgrades
Shit, so the upgrade from 6-8 is $249?? Damn...
Anyone know if I can just upgrade to 7 and then upgrade to 8 after it's been released? What's that gonna cost me? It says 6-7 upgrade is $119. OK, cool. But I don't see a well-defined upgrade path from 6-7-8...
Can anyone tell me what the upgrade price is from 7-8? I'm not seeing that 'cuz I'm only on 6.
Thanks!!
Cheers,
-ix
My site
February Album Writing Month stuff
Mac Mini 2020 (M1 / Big Sur)
Focusrite 18i20 / Roland A-37 / Oxygen 8 v2 / MidiSport 4x4
Live 11.1 (Rosetta) 11.2 (silicon) / NI Komplete 12 / Reason 12
Lotsa modular stuff
Moog Matriarch
February Album Writing Month stuff
Mac Mini 2020 (M1 / Big Sur)
Focusrite 18i20 / Roland A-37 / Oxygen 8 v2 / MidiSport 4x4
Live 11.1 (Rosetta) 11.2 (silicon) / NI Komplete 12 / Reason 12
Lotsa modular stuff
Moog Matriarch
Hey, I'm gonna buy MfL and sit back and let all the geeks make cool devices which I will useKorhan wrote:MFL is a good buy only for people who have experience in algorithmic approach to music making, with good knowledge of physics of sound etc. Software like Max and Pure Data have steep learning curves that will take a regular musicians out of their way for months. People should really think twice before investing in MFL, no matter how much it costs.
-
Machinesworking
- Posts: 11551
- Joined: Wed Jun 23, 2004 9:30 pm
- Location: Seattle
My guess is MFL will cost between $300 and $479. It includes everything from the Max/MSP Jitter package, and I don't think there's any way it will get bellow $300, hope I'm wrong but.
My biggest questions now are if Jitter is going to be integrated in Live in a way to use it real time. So you could run videos synced to the music, that fired different parts when different clips or scenes are fired? This would be freaking awsome!
The other one is on copy protection. Cycling 74 don't allow you to sell Max/MSP, and they use either PACE or iLock. How does this work with MFL? Are we going to see PACE/iLock and what exactly are they going to offer the random person who gives up on Live, decides that Logic/Cubase/Pro Tools is more to their needs? None of this is really that important to me, but like you guys are mentioning, if you get desperate to get more CPU and want to offline process some Jitter stuff on another computer, is PACE gonna kick in and screw the pooch??
I don't think that most companies implement copy protection to prevent a single user from using their desktop and laptop together to get more CPU? Let's face it, it's there to prevent you from "loaning" copies to all your friends.
My biggest questions now are if Jitter is going to be integrated in Live in a way to use it real time. So you could run videos synced to the music, that fired different parts when different clips or scenes are fired? This would be freaking awsome!
The other one is on copy protection. Cycling 74 don't allow you to sell Max/MSP, and they use either PACE or iLock. How does this work with MFL? Are we going to see PACE/iLock and what exactly are they going to offer the random person who gives up on Live, decides that Logic/Cubase/Pro Tools is more to their needs? None of this is really that important to me, but like you guys are mentioning, if you get desperate to get more CPU and want to offline process some Jitter stuff on another computer, is PACE gonna kick in and screw the pooch??
I don't think that most companies implement copy protection to prevent a single user from using their desktop and laptop together to get more CPU? Let's face it, it's there to prevent you from "loaning" copies to all your friends.
I'm pretty certain they said MFL will be using the Live copy protection.Machinesworking wrote:The other one is on copy protection. Cycling 74 don't allow you to sell Max/MSP, and they use either PACE or iLock. How does this work with MFL? Are we going to see PACE/iLock and what exactly are they going to offer the random person who gives up on Live, decides that Logic/Cubase/Pro Tools is more to their needs?
I think it was in a post by the Cycling '74 developer that's been posting here (Jeremy?), either here or on the Cycling '74 forums.
**EDIT** Link to post....
http://forum.ableton.com/viewtopic.php? ... c&start=23
Machinesworking wrote:My guess is MFL will cost between $300 and $479. It includes everything from the Max/MSP Jitter package, and I don't think there's any way it will get bellow $300, hope I'm wrong but.

get a music video from archive.org or the band's web site, drop it into track 1 in arrange view, warp the music (video follows.) put track markers on interesting parts of the track, assign those to a midi note. hit play, play those notes, you're doing real time video cuts. you can also mute the audio on track 1, and cut the video to other music (play with the 'back to arrangement button'). then there's the midi feedback control trick to automtically cut up the video. and so on...run videos synced to the music, that fired different parts when different clips or scenes are fired? This would be freaking awsome!![]()
once data hits Live, the tiger is out of its cage. run max runtime (free) and rewire the data into that or use UDP, I don't know how video would be transmitted, I'm sure it can be done, it's freaking jitter and max, you can do anything you want.The other one is on copy protection. Cycling 74 don't allow you to sell Max/MSP, and they use either PACE or iLock. How does this work with MFL? Are we going to see PACE/iLock and what exactly are they going to offer the random person who gives up on Live, decides that Logic/Cubase/Pro Tools is more to their needs? None of this is really that important to me, but like you guys are mentioning, if you get desperate to get more CPU and want to offline process some Jitter stuff on another computer, is PACE gonna kick in and screw the pooch??
In my life
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
Why do I smile
At people who I'd much rather kick in the eye?
-Moz