LoopStationZebra wrote:BOB Cooper wrote:i don't know. I just remember his guitar run through a POD...
I saw him live 3 times. instense moments, though he has a weird way to end his shows (which I don't like, it's almost like "ok, enough for tonight, let's press stop"). But in a live context, his textures sounds awesome, really.
I DEEPLY recommend the "live in japan" from FENNESZ. it's a perfect mix between "Endless summer" and "Venice", my 2 favorite records of him. The encore is incredible (but, again, the end is messed).
Hey BOB, been listening to your tracks on MySpace. Excellent stuff. I really liked Nude and Freezing. It has this kind of Jah Wobble/Bill Laswell thing happening. Great.
oh, thank you very much !!
i'm happy that some people could like it, cause I had to do it in a very short time, and used just one monitor system... so I really messed the mix and the filtered voices, on some speakers (especially bad systems), sometimes sound awful (distortion on the passed-frequencies) in a way I didn't expect..
the thing I'm happy about, beside the switch to 5/4 bars (except one), is that I just used one bar of guitar, drums and choirs/synths, and part of the vocals to do the whole remix, on a totally blank page (no quantification on the sequencer, I wasn't using Live at that time, a bit like in the tape tradition).
thank you for the info too, I didn't realize Fennesz was using Max !