Posted: Sun Jan 29, 2006 2:36 pm
if it comes to a software mastering solution, i can also recommend the TC powercore mk2 pci or rackversion.
nice price too: you get what you paid for...
nice price too: you get what you paid for...
this is something that applies 100% to mastering and the devices you need, that's why mastering is so expensive... several thousand dollar for a tiny mastering set-up is nothing. there is unfortenuately no way around...you get what you paid for...
SubFunk wrote: by ALL RESPECT and i am doing computer generated music myself... (mainly plus recording of live instruments) with Ableton and Logic. (being mainly a Producer) but putting some material through mediocre soundcards, monitor setups with bad or non room treatmeant from people without at least a decade, at least A DECADE of experience and some plugs or even outboard gear... is NOT MASTERING!!!
that doesn't mean, that it is not possible to tweak things very nicely and to be able to make them louder... and b much better sounding. but all this el cheapo stuff, including waves, yes 4000 dollar for the diamond bundle is dead cheap crap when it comes to real MASTERING, all of that stuff which says mastering on the label, like T-Racks or whatever, has absolut nothing, but nothing to do with mastering at all. ARRGGGHHHH!! sorry for that!
cool, you are my man. let the EARS decide... and don't forget to link .wav or AIFF files, we don't want to listen to some mediocre mp3 conversion...give me some time and i will make some demos for you guys:
i will take 1 part of an electronic track ( aprox. 30 sec )
1. umastered
2. mastered with software
3. mastered with hardware
then you will understand the difference ( if u can hear it ) between soft and hard.
when its done, ill post the links.
SubFunk wrote: very skillfull people with very good gear, tweaked those sounds already to a high level of how they sound! so you just have to "stick them together" (which i don't think is in any way a bad think to do... ) in order to get a good sound.
no argue, here. just again to clarify and the last thing i am intended to, is to scare someone off, or to say it's totaaly impossible to make a very good sounding track in a living room "studio" no missunderstanding here, please!!!
i second that advice, no matter if mixing or mastering, ear fatigue is a natural process happening to ereyone... (specially after alreday long sessions) and it's a killer for real listening. as you said your ears can easy get used to crap.And the best advice I've ever gotten from studio type folk? When your mixing/mastering/whatever, take a break every half hour at least. Turn off the music, go outside and blow an L or something. You know how if something realy stinks you get used to it in a few minutes? Same diffrence with your ears. Being outside is good for you pasty producers anyway. And leave your laptop inside. Feed a squirrel or pee in the woods or something. Its the best advice ever. It only takes like 5 or 10 minutes to reset your ears. Thats why I smoke cigs and have a special bottle of wiskey I only drink on my porch. These are the sacrifices we all have to make.
i disagree, making music, producing and mixing (engineering) is / can be a creative process... or actually should be a creative progress...probably has something to do with the word "master" .. they think only sensei ever can do!! Laughing