you will see in the rack, there are speaker on buttons, these allow the midi note to pass. there is a velocity plug latter that adjusts the notes to the same velocity.
if these mutes are open, the note passes. the pads are assigned to these. this is the same in both versions.
so the increment in 1/16th notes comes by velocity, in pk[squared] each 16th was incremented up one semi-tone, then filtered back to the same note.
with farmpad the lights stay lit, in pk[squared] there is a lot of trickery to get the lights to stay lit, spreading the notes across 16 midi channels and then merging the incrementing notes back to the same note. at first in seven i cleared away alot of the tracks in the pk[squared] set by using the external instrument plug.
there are four tracks you need to keep from the pk[squared] set the instrument tracks and the two tracks with all the racks. I think these are the tracks that have the midi clip. First rename the set, then blow away all of the extra tracks.
I think i named things with numbers to keep everything sorted.
in these racks you can blow away the arpeggiators they just need the note length and velocity, then a pitch plug to route the notes to the appropriate instruments.
you'll have to reassign all of the pads.. i've done this to many time already
in the four bar version, there ends up being 1024 pads to assign.
start with just one sound, get that working and then you'll see how it works, and be able to do the rest.
I found the set that I used to start the pk[squared] version, but i had to reverse engineer it and build it over.
let me know how this helps
