RENDER TO Wonderfulness! - Live 4 is heaven!

djshiva · Post by **djshiva** » Tue Jun 14, 2005 8:56 am

never had problem number one with rendering. i have compared tapeit files to ableton render and aside from my own extra little gain uppage in tape it, not much difference. certainly nothing as noteworthy as the author seems to have epxerienced.

dunno dude...

clean the coffee out of the speaker grilles...maybe?

pfft...

.end thc ramble.

Emissary · Post by **Emissary** » Tue Jun 14, 2005 9:10 am

leisuremuffin wrote:
Sales Dude McBoob wrote:From what I gather, the ASIO compression issue is what brought about the demand for such products as the Dangerous Audio 8 Bus.

while i'm at it... This is the whole problem with the audio industry. We've forgotten the first rule. And that is; Is what we are recording worth saving???

Fuck all this horseshit about analog vs digital summing. It skirts the issue!!!! are we making art worth experiencing? That is the question!

A skilled engineer should be able to make a better recording on a 4 track casette player than a shit engineer on a protools HD system. If you cannot see this, you are an idiot.

-lm.

Sorry, this is just lashing out against the title, once again, and the foolishness of that title.

Right on man! .... I hate all this bullshit, lets face it only gimpoids really care about this summing stuff! I wish we could have a new forum called
"Anal retentive 's talk about useless crap forum"

Sales Dude McBoob · Post by **Sales Dude McBoob** » Tue Jun 14, 2005 2:02 pm

k-cee, as much as I want this thread to go away, I may as well answer your question, because that's what this forum is for.

If Nero isn't recognizing your rendered file, you're probably rendering at 24 bit. Try rendering at 16 bit and 44.1K if you want to make a CD.

Now people can we please talk about something else?