beachnote wrote:actually.....
they said it about live v4 on the forums before they said it in the recent cubase 3 nfo file. and they said it in a forum which i wont disclose here. and on top of that its blantently obvious to anyone who programs that in fact you do suffer for copyright protection. and being a senior software engineer for a high security software development company, i can assure it is very much the truth: performance is a high price we pay because of copyright protection schemes.
and i never said that a dongle is any better, its the same thing. they both constantly check for violation routines, and they both take performance hits.
you want proof? go download any live v4 cracked version from gnutella and run it. keep moving faders and pan controls and you'll see the little mouse flashing a bit wierd...thats the copyright protection in action for you. keep doing it and after a whilke the cracked version will give you a copyright protection violation and youll have to reformat your system drive (or do something else which i wont share here).
or, run regmon or filemon and move faders and pan controls, and ask yourself why the fuk is live checing hundreds of reg keys and files just to move a fuckin fader.
every single action live performs has a copyright protection sheme put into it, its not just when you unlock the thing, so get your head out of your ass. and so do apps that use dongles. period.
Well, far be it from me to dispute an expert in the field...but I find this unlikely in the extreme. What sense does it make to use a kracked version to identify the supposed continual copyprotection checks? Why not do it with an unlocked version? And from your description of the problem, wouldn't this mean that a demo copy of Live would run faster than an unlocked copy? I would believe that a few certain functions (like Save) would check the copy protection, but I doubt that it does it as much as you say. But to be fair, I have not done any experimentation.
On copy protection: I don't like it either and wish everyone would use the Cakewalk model. Everything is hunkydory now, but in 5 or 10 years when you want to get back into your archives, and you've got a new machine and the Abletons are retired and living in Fiji.
one last thing, if we were them we'd be doing the same exact shit. its the only protection they have, and if losing a chunk of performance will help them make revenue and stay in business, its what they got to do....but they should seriously spend some manhours working on the problem, cause in live the performance is not up to par with cubase, logic, and others. just test it yourself, man. putting together a test environment and seeing the results is basic shit.
Certainly people using Macs do get an additional performance hit, and on a 2 GHz P4 I can't do an infinite number of tracks with plugins, but it hasn't affected my creativity yet.
but fuk, i still use live, so be it. and i'm glad im starting some shit, maybe they'll fix something.
Just curious. Did you say somewhere up in the thread that you'd paid for it?