digitalex wrote:I don't think it would be famous controversial piece if only idiots were arguing over it.
But would it be a famous controversial piece if it were made by an unknown? Like, say if Cage had never made that piece, and someone who's never been heard of, and just as importantly, someone with absolutely no musical background had made that piece would it be s popular, controversial, and debated?
Of course not. What did Jon Cage have that made that piece what it was? his name, and his reputation as a composer. I don't know much about the man, but I would assume he was already an established composer, someone who knew the rules, and he had a reputation. That is what gave the piece whatever power it has, because it was made by John Cage and accepted/rejected, and debated by his equally influential peers.
It's something to think about.
I don't think the car analogy is a bad one either. Again, it comes down to the difference between banging your fist on a keyboard versus playing a melody. Or beating randomly on pots and pans as opposed to playing a rhythm on them. Like sweetjesus said, there are certain rules and science that makes something musical.
But at the same time it is still subjective and can be entirely dependent upon the individual. A lot of factors come into play, the listeners level of sophistication (understanding of the rules), a more musically educated person would be more likely to understand a Philip Glass piece then would someone who listens entirely to top 40.
What kind of expectations do we place on music, what do we hope to get out of the listening experience. My wife is an intelligent, well rounded person. I remember I had just picked up Autechre's Confeld cd and we were listening. She could not stand it and insisted that I take it out. To her it is not music at all, and to me, though I do not really understand it, I am fascinated by it. We have different expectations I suppose.
I don't know, I believe there are most certainly rules. Some are very base and natural, what makes rhythm rhythm, and melody melody. What makes it jove with us, what made it stand out to whatever ancient people first recognized it.
Then there are the rules that have been developed by society and are constantly evolving and changing. Why are all popular songs 3-4 minutes in length? Why do some people expect that all songs should have words?
I don't know, maybe the key is understanding the difference between those base, natural laws and the rules created by humans, and the expectations imposed by society?